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 Wednesday, April 30, 2008
Mary Cassatt and Me
Posted by sarah





I may as well admit now that I've developed somewhat of a Mary Cassatt obsession. (It happens to the best of us, right?) In any case, that's why I can't help returning to the theme of news regarding her work. I'm posting this admittedly kind of sappy YouTube tribute to the artist's paintings of mothers with children as a segway into the news of a recent Cassatt sale:

Artdaily.org is reporting that Cassatt's pastel painting, Mother With Child, is among four major works of art purchased by The High Museum of Art for its permanent collection. Other paintings include the oil painting Snowscape with Cows, Montfoucault, by Camille Pissarro; the oil painting The Breakfast, by Pierre Bonnard; and the painting on paper Villa les Écluses, St. Jacut, Brittany, by Édouard Vuillard. Good company indeed. From Artdaily.org:

The new acquisitions were purchased from the estate of longtime Atlanta resident Kathryn Welch Hartzog. ... Beginning on Mother’s Day, Sunday, May 11, and running through August 17, the four new works will be on view at the High as part of a special permanent collection installation of eight works titled “Cassatt, Pissarro, Bonnard, Vuillard: New Acquisitions for the Collection.” The four new works will be displayed with another Cassatt pastel, which was gifted by Jacqueline and Matt Friedlander in 2005; a Cassatt oil painting; and two Vuillard pastels, which were given by Mrs. Hartzog in 1992.



Art Inspiration | Shows and Events
4/30/2008 10:38:31 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [2]
 Friday, April 25, 2008
Oil Paints' Real Origins Revealed
Posted by jessica


Detail from one of the paintings

Contrary to popular belief, oil paintings weren’t first created by Europeans in the 15th century, but rather Asians, and in the 5th to 9th centuries—according to works discovered in caves behind the two Taliban-destroyed Buddah sculptures in Bamiyan, Afghanistan.

The European Synchrotron Radiation Facility suspects the paint was made of walnuts or poppies, says the BBC, which isn’t surprising, as natural pigments have been used for coloring since the prehistoric era. For more tidbits on the origin of pigments, read this.



Overheard
4/25/2008 5:08:40 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Wednesday, April 23, 2008
Hey Ladies
Posted by sarah

image_large_859.jpgCheck it out: On view at the Legion of Honor, Women Impressionists: Berthe Morisot, Mary Cassatt, Eva Gonzalès, Marie Bracquemond, a groundbreaking (and very exciting) exhibition, featuring a number of stunning works in pastel. From the press release:

At the time Impressionism was born, female artists were starting to come to the forefront of the art world. Women Impressionists breaks new ground by looking at the work and contributions of four female Impressionists, shown together for the first time in the United States. Many of the works deal with images of women—women at home, women with family, and women at leisure—in addition to other themes typical of Impressionism. June 21, 2008 — September 21, 2008.

Mary Cassatt, Young Lady in a Loge Gazing to the Right, 1880. Pastel and gouache. Ann and Gordon Getty.




Shows and Events
4/23/2008 8:40:43 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Monday, April 21, 2008
Makin Mistakes and Movin On
Posted by anne

Pedernal-20x27Pastel.jpgI confess. When I'm interviewing an artist and he or she admits to times of struggle, I love that. It may not reflect well on me perhaps, but I find these glimpses of humanity encouraging. Knowing that others who are involved in creative pursuits face obstacles, make mistakes, hit dead ends—what a comfort! But what the great artists demonstrate time and time again is that the key to success is to keep painting, to learn from mistakes, to grow.

I recently interviewed artist Mary Silverwood whose vibrant Southwest landscapes illustrate the confidence of someone who has learned a thing or two in her time (her pastel, Pedernal, shown here). Yet Silverwood could easily recall her early days when she shoved most of her pastel work under the bed. Even now, there are times when the artist has to let go of a painting—usually when she's chosen to go ahead and pursue a painting, even when she felt the photo was lacking. When it happens, "Well, into the trash it goes," she says. "You work and you learn. I'm way past feeling a failure is painful. It's a learning experience!"

Silverwood says that the mistake for most beginners is that they let their self-esteem get wrapped up in their work. "You get this sick feeling inside," she says. It takes some work to get over it, she says, but once you do, your biggest disappointment is in the waste of materials. "Now I'm usually thinking, 'Oh no, there goes another $4 piece of paper and a couple $8 sticks of pastel! But I don't let my ego get involved. If a piece fails in the process, I think about what went wrong and then move on."

You can read my feature on Mary Silverwood in the upcoming May/June issue of the magazine on sale on our website April 22 and on newsstands beginning May 13.




4/21/2008 6:05:55 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]
 Friday, April 18, 2008
'Grate' Public Art
Posted by jessica

While in Manhattan two weeks ago, I read a most intriguing New York Post story, which has since been reported by various outlets, including NPR. Joshua Allen Harris, a Brooklyn artist and student at the School of Visual Arts, has created unique street sculptures known as “subway bears”—plastic bags tied together and then to subway grates in such a way that when a train roars by underground, the polar bear-looking assemblage of bags slowly rises to a stance, somewhat resembling a barking dog, and then lays back down to rest. Sadly, I never happened upon any of these bears—which is surprising, considering our many, many subway rides. How do I know what the bears look like? I found a YouTube video, natch.

Guess that’s one way to recycle plastic shopping bags!


Overheard
4/18/2008 11:23:49 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]
 Wednesday, April 16, 2008
The Appalachian Pastel Society Says
Posted by sarah

DSCN0551.JPGAs previously reported on the blog, The Appalachian Pastel Society (APS) has announced it's 2007 exhibition winners: Ella Maguire Memorial Award winner, Irma P. Webb's Country Lady, is pictured here.

The APS has now announced its call for entries to next year's exhibition, for which Margaret Dyer will serve as juror. Best of Show will recieve $1,000 and other prizes will include cash awards for top winners, pastel sets and other items donated by pastel product suppliers. The opening reception will take place October 3, 2008 and the show runs through November 22, 2008 at the Gallery of the Arts Council of Henderson County, in Hendersonville, NC. The deadline for CD entries is August 1st, 2008. A prospectus for the exhibition will appear on the APS website soon.

Want to see your pastel society's news up in lights (so to speak)? Send the skinny to pjedit@fwpubs.com and include web-ready digital images at no more than 72 dpi.




Overheard | Shows and Events
4/16/2008 8:56:14 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, April 11, 2008
Upcoming Pastel Invitational
Posted by jessica

CliveTyler.jpgSo much to see in Denver, Colo., right now!

Next Friday Denver residents will have a great opportunity to see works by artists featured in The Pastel Journal. Abend Gallery opens its Pastel Invitational (April 18-May 10), an exhibition featuring paintings by Deborah Bays, Dan Beck, Doug Dawson, Ernie Gallegos, Bruce A. Gomez, Desmond O’Hagan, Ramon Kelly, Connie Renner, Elizabeth Sandia and Clive R. Tyler. An opening reception will be held April 18 from 5-9 p.m.

As ever, if you get to stop by the show, let us know about it!

Pictured: Pronghorn Summit (30x33) by Clive R. Tyler



Overheard | Shows and Events
4/11/2008 3:13:56 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Wednesday, April 09, 2008
New Orleans in Pastel
Posted by sarah

SOFT_GLOW  with foot Ari 72 5H.jpgWe love hearing word of pastel exhibitions and shows, especially when the news comes with stunning paintings such as Soft Glow, Casamento's (24x21) attached. Carol Robinson Gallery will play host to Sandra Burshell's new show, A Glance of New Orleans, featuring the artist's new figurative work in pastel, April 5th through 30th. Visit Burshell's website to see more of her work, including interiors and a series of Katrina photographs. And visit the gallery's website for more details about the show.

If you'd like to see your show on our blog, send the details to pjedit@fwpubs.com. We'll be waiting.


Shows and Events
4/9/2008 12:50:20 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Monday, April 07, 2008
Big Stories, Small Package
Posted by anne

927_1026_large.jpgPeople are funny about their old books and magazines. Some readers swear by the save-everything-forever approach, secure in the knowledge that they can go back and find information that they may want some day in the future. Others, less comfortable with clutter, may be a bit more inclined to read and recycle. Many find themselves somewhere in between, cranky about clutter but unwilling to let go of anything (me, me, me).

I know from our research (and from conversation) that most readers of The Pastel Journal fall into the keep-it-forever camp, at least when it comes to copies of TPJ. And I’d imagine that, depending on one’s skills (or interest) in organization, these magazine libraries may take the form of a cardboard box in the closet or a tidy shelf of labeled three-ring binders. But regardless of where you fall on the neat-freak scale, you're going to want to know about a brand-new option for maintaining your magazine archive that's compact and portable: We've just released a computer CD with digital files of every page of every issue published in 2007!

Here’s how it works, just pop the CD into your home computer or laptop. (The CD uses a PDF format, making it compatible for PC and Mac with Acrobat Reader, a free program already installed on most computers). There at your fingertips you'll find each issue of the magazine, ready to read page-by-page, just as you might a print issue. Or, browse the Table of Contents, and click on a story title to jump to that article. You can even click on coverlines to get to the related story. Best of all, if you know you saw an article (or artist or product review) in 2007, but can't remember which issue, you can use keyword search to locate it—that's a whole lot easier than digging through that cardboard box for dog-eared pages!

Click here to get more information about the CD (or to order your copy). And then, be on the look-out for a CD of 2006 issues later this year!




Tools and Materials
4/7/2008 1:58:03 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, April 04, 2008
Juried Pastel Exhibition
Posted by sarah

Sunflowertango30010x.jpgIs it that time of year again?

The Southeastern Pastel Society will host its 2008 International Juried Exhibition, June 12-August 10, 2008, at Oglethorpe University Museum of Art, in Atlanta, Georgia. This year's show will be juried by Bill Hosner, who will also teach a workshop. For more information, visit the society's website.

Incidentally, Hosner was our cover artist for the February 2008 issue. Pick up the back issue to read about the challenges of painting the figure en plein air, if you're not a subscriber.

If you'd like to see your society's news on our blog, send us an e-mail.


Sunflower Tango by Marsha Savage

Overheard | Shows and Events
4/4/2008 9:30:22 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [3]
 Wednesday, April 02, 2008
National Poetry Month
Posted by jessica

NPM.jpg"It would be tragic not to realize the extent of man’s dependence on the arts."
—Wallace Stevens, "Relations Between Poetry and Painting"

Because most varieties of art inform and cross-reference each other—visual artists, for example, typically have other creative passions like gardening, classical guitar, writing—this month we celebrate National Poetry Month.

Check the Academy of American Poets’ website for NPM events and celebrations. Coming up April 17 is Poem in Your Pocket Day.

The Academy of American Poets has some great resources on its site, including a National Poetry Almanac that devotes a section to Poetry and Art. My favorite subject within this category is visual art’s (more specifically, Picasso’s) influence on Gertrude Stein. A friend of Picasso’s, and ever the experimental writer, Stein forayed into "verbal Cubism" in her 1914 book, Tender Buttons—poems modeled after visual effects she observed in the artist’s paintings.



Art Inspiration | Overheard
4/2/2008 10:51:11 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]