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 Monday, October 20, 2008
Showstoppers: The Music of the Night
Posted by anne
"At present I absolutely
want to paint a starry sky. It often seems
to me that night is still more richly coloured
than the day; having hues of the most intense
violets, blues and greens. If only you pay
attention to it you will see that certain
stars are lemon-yellow, others pink or a green,
blue and forget-me-not brilliance. And without
my expatiating on this theme it is obvious
that putting little white dots on the blue-black
is not enough to paint a starry sky." — Vincent can Gogh, in a letter to his sister
The Museum of Modern Art is currently showing "Van Gogh and the Colors of the Night." While the exhibition is an opportunity to showcase Starry Night, one of the most famous paintings in MoMA's collection, it also brings to view a surprising number of early works—paintings done in Holland, before the artist went to France. According to MoMA: "This exhibition will present new insight into van Gogh's depictions of
night landscapes, interior scenes, and the effects of both gaslight and
natural light on their surroundings." A total of 23 works are included from the somber-toned interior, Potato Eaters to the swirling vision of Starry Night. "Van Gogh discovered new colors everywhere, especially at night," says Roberta Smith in The New York Times. "Peripatetically, briefly yet fulsomely, this show explores his special
relationship with darkness. It provides a view of the tenderness,
urgency and brilliance at the core of his art, as well as the openness
to nature that set it aflame." "The Colors of the Night" will be showing through January 5, 2009. You can view an online version right here. For more information, visit the museum's website. Shows and Events
10/20/2008 1:29:04 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 17, 2008
California (Pastel) Dreamin'
Posted by jessica
 The Sierra Pastel Society presents its 7th annual “Pastels on High” International Art Exhibition. This year’s judge and juror is none other than renowned pastelist Urania Christy Tarbet, with prizes ranging from $1,000 to $5,000 in cash and merchandise. Catch the show through Oct. 25 at the Hang It Up Gallery in El Dorado Hills, Calif. (Town Center 4359, Town Center Blvd, Suite 113). Gallery hours: noon-5 p.m. Sunday and Monday; 10 a.m.-7 p.m. Tuesday-Friday; 10 a.m.-6 p.m. Saturday. 916-939-1845. Overheard | Shows and Events
10/17/2008 4:10:53 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 15, 2008
Creating Sandscapes Pixel by Pixel
Posted by sarah
 As far as art projects on the Web go, this one just might take the prize for the week: thissand.com allows visitors to build colorful sand castles by transforming the pixels on the screen into digital grains of sand. Click your mouse to drop the sand and use simple commands to change the color or gradiant. A soft sandy sound accompanies the process, which I find extraordinarily soothing. Once you've finished your sandscape, save it to the gallery for everyone to see. (Mine is pictured above.) Read more about the project and see some of the best creations yet at thissand.com/blog. Art Inspiration | Overheard
10/15/2008 11:52:15 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, October 13, 2008
Thanks for [some of] the memories
Posted by anne
 The year is 2006. The top movies featured pirates and penguins, and the former vice president delivering troubling news about our planet. In addition, there were plenty of distressing news stories coming out of Iraq, and the year was, perhaps, a record-setting one for political scandals. Oh, and then there was that scare over tainted spinach. But 2006 was a good year for pastel and for The Pastel Journal. That's why we've put together a CD of all those fine memories from 2006—more than 500 pages of art and articles, all on a single disk. So you don't have to worry about where you laid down that copy of December 2006, because it's right here along with all the other issues, just waiting to be rediscovered in a digital format. Here's just a few of the highlights: • The results of the 7th Annual Pastel 100 competition • Alan Flattmann on the use of fixative and spray paint for
special effects • Richard McKinley's recipes for homemade grounds • Wolf
Kahn's pastel prints • A visual tour of the best
pastel collections in the U.S. • Sneak peeks into small but
efficient studio spaces • And dozens of inspiring artist's stories, including features on Paula Rego, Janet Fish, Ellen Eagle, Peter
Seltzer, Susan Ogilvie, Clark Mitchell, Jane Lund, Terri Ford, Judith Carducci, Al Lachman, and many others! If you want to find out more, visit The Pastel Journal back issues store. Tools and Materials
10/13/2008 3:34:39 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 08, 2008
MoMA Pastels Online
Posted by sarah
 One of the best things about The Museum of Modern Art's website is that many of the most exciting pastels in the museums collection are accompanied by wonderful, insightful reviews that place the painting in an artistic and historical context. Consider this passage on Degas' painting, At the Milliner's (pictured here): "Pastel, an important drawing medium at the end of the nineteenth
century due in part to a new preoccupation with color, appropriately
expresses, through its inherent fragility, the ephemeral encounter
between two women of different milieus that lies at the heart of
Degas's composition." Click here to read the rest of the entry and to see more stunning pastel paintings. Art Inspiration | Overheard
10/8/2008 4:40:56 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, October 06, 2008
Test Your Knowledge of Art
Posted by anne
 Warning: If you'd rather not lose the next hour of your life to an online game, read no further. If, however, you can't think of a better way to spend an hour than looking at fine art and battling world hunger at the same time, then read on! Last Thanksgiving, I blogged about Free Rice, a vocabulary-quizzing website that tests your verbal powers and supports a charitable effort to fight world hunger at the same time. I recently discovered that Free Rice made some new additions to the site, and now you can test your knowledge of several subjects, including art! This is seriously addicting, but what fun! Click here to get started. P.S. The answer to the question shown here? Pierre-Auguste Renoir Art Inspiration
10/6/2008 10:01:03 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 03, 2008
Stunning Pastel Exhibition for Your Edification
Posted by sarah
The Pastel Society of America (PSA) held its 36th Annual Open Juried Exhibition in September, but before you kick yourself for missing it, consider visiting the PSA's website to see highlights from the show. The top three winners of the show (Abel Marquez, Bonnie Williams and Ken Landon Buck, respectively) are pictured here.
   Shows and Events
10/3/2008 10:42:18 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 01, 2008
Upcoming Shows with Artists Featured in The Pastel Journal
Posted by jessica
 Not only are there two shows just around the corner starring artists featured in The Pastel Journal, they’re both from right here in Cincinnati. Ray Hassard: Fun & Games features the 9th Annual Pastel 100 First Place Landscape & Interior Category winner’s pastels that focus on leisure time activities: museums, carnivals, mini golf and the like. Opens 6-8 p.m. Friday, Oct. 3, for Columbus, Ohio’s Short North Gallery Hop at the Sharon Weiss Gallery. You’ll remember Brian Mathas Burt from our October issue cover (pictured here) and the excellent artist’s profile written by Anne Hevener. Burt will be exhibiting at the Hyde Park Art Show in Cincinnati 10 a.m.-6 p.m. Sunday, Oct. 5. If you're in Ohio, check them out! Shows and Events
10/1/2008 11:56:17 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, September 29, 2008
Duane Wakeham's Approach to the Landscape
Posted by anne
In the current October issue of the magazine, Deborah Secor has written a fea  ture that takes you inside a Duane Wakeham workshop. Secor has made note of many of the tips that the artist shares with his students—those little art-making gems that Wakeham has discovered over his career as an artist and teacher of art.  It's clear from the article that Wakehman puts a big emphasis on composition — and on how an artist moves from scene to painting in an imaginative, individual way. One method he receommends is the "10-minute sketch," which he says is a great way to summarize what you're seeing in a scene. "You develop your ability to say as much as possible with the minimum amount of time and effort," he says, "forcing yourself to think in terms of large shapes and simplified patterns of light and dark, instead of getting bogged down by details." In addition to the six finished paintings (and related resource) shown in the feature article, here is another example: Before painting the pastel January Afternoon (top), Wakeham did the quick study (above) to explore his options and develop a workable plan. To see the 10-minute sketches that Deborah Secor created in Wakeham's workshop, visit our website. Art Inspiration | Tips and Techniques
9/29/2008 12:24:03 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, September 24, 2008
Behind the Scenes at the Pastel 100
Posted by sarah
 In the event that you missed our bi-weekly newsletter on Tuesday, check out an image from behind the scenes at our biggest competition yet. That's editor Anne Hevener (at left), struggling to breath beneath a pile of slide entries. Though the vast majority of this year's entries were digital, we did see our fair share of slides--a sign, perhaps, that the shift to digital is almost, but not quite, complete. Recently, Anne shared her thoughts on this year's competition: “I think my eyes are starting to bug out, but I love having the opportunity to do this. It's an incredible experience to see so many paintings all at once, because you get such a dramatic example of how every artist is able to bring a unique vision to his or her subject. It's wonderful to see. And always inspiring. And I'm certainly glad I don't have the tough task that we're about to pass to our jurors—that of narrowing down these entries to only 20, with five top place winners, in their category. Talk about challenging!” Stay tuned for more competition news as we anxiously await the news from our jurors. Overheard
9/24/2008 2:04:36 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, September 19, 2008
Creative Spark Honorable Mentions
Posted by jessica
Congratulations to the August issue Creative Spark entries that took honorable mentions. The challenge was to put a neglected color to work. Here’s how the artists did so: Turquoise Skyline: Philly (17x21) by Madeleine Kelly, of Ridley Park, Pa.
“Color is my passion, which is why I love pastels, and why I’ve used almost every color somewhere in my paintings. I often use turquoise, but the use is usually limited to a few minor strokes as a an accent or as a means of balancing out the greens in a landscape. However, making turquoise the dominate color in my painting is something I’ve definitely wanted to try. For several months I’ve been creating a series of Philadelphia scenes, mostly of landmarks and historic buildings—and, of course, a few Philly skylines. “Since I was painting a hot and hazy afternoon scene of Philadelphia, I chose bright orange to exhibit very warm—but strong—light. I used different values of turquoise as the sky and water, sort of an envelope, which balanced out the orange. Then I softly glazed the whole painting with again with turquoise. Fun experiment!” ********
Chanticleer by Carol Woolford
“Pink is a color I rarely use except for highlights in skies or around the rim of an object, rarely as the predominant color. I was very taken by a spray of very subtle pink grass behind three dark purple flowers. It was the pink background that caught my eye and presented the challenge of making it look soft, but not too sweet. Subtle hints of pink were added to the green background and in the foreground flowers to make the painting work.” ********
Seeds of Summer (11x14) by Linda Evans, of Valley Center, Calif. “I’ve been especially fascinated with the exotic pastels, which include metallic, iridescent, pearlescent and fluorescent colors. I tend to favor blues and purples, which is reflected in my home decor, my clothes and, of course, my painting. The one untouched color, pristine in its paper wrapping, was fluorescent lime green. “I decided to paint an unusual perspective, an extreme close-up, of a common fruit, the kiwi. Once an exotic winter import from Australia, most kiwis are now grown in my home state of California. The crowning creative inspiration came from adding a few strokes of that virgin fluorescent lime green to the rear kiwi slice, which made the fruit just pop. This pastel became the main color focus for the front kiwi; the juicy fruit pulp glows with the fluorescent lime green. Adding this color to my palette truly unleashed creative sparks.” ********
Art Inspiration | Overheard
9/19/2008 9:33:04 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, September 12, 2008
This Just In
Posted by anne
After six years as chairman of the National Endowment for the Arts (NEA), Dana Gioia is stepping down, with plans to spend more time on his writing. Gioia, a poet and literary critic, was especially successful in advancing literacy initiatives. Funding for the NEA has also grown under his leadership. In a statement from the NEA, Gioia said: "It has been a thrilling experience to help rebuild a great American
institution. We have created a new national consensus on
the importance of public support for the arts and arts education. Six
years ago that would have seemed unlikely." He added, "I announce my departure with mixed feelings. I will
never have a more interesting job. But I am a writer. If I don't return
to poetry soon, the Muse will never have me back."
You can read a full story in The Washington Post.
9/12/2008 12:42:02 PM (Eastern Daylight Time, UTC-04:00)
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