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 Monday, August 18, 2008
The Artist Today
Posted by anne
According to a recently released 140-page
study, "Artists in the Workforce: 1990–2005," from the National
Endowment for the Arts (NEA), 2 million Americans identify themselves as artists. “Artists now play a huge but mostly unrecognized role in the new
American economy of the 21st century,” said NEA Chairman Dana Gioia.
“This report shows how important American artists are to both our
nation’s cultural vitality and economic prosperity of our communities.”
Some interesting snippets:
- The number of artists in the U.S. is growing, nearly tripling since 1970.
- Artists are more educated. Artists are twice as likely to have a college degree as other U.S. workers.
- Women remain underrepresented in several art-related occupations such as architecture, music, production and
photography. Women do outnumber men, however, in the fields of dance, design and
writing.
- San Francisco has the highest number of
artists per capita. Santa Fe comes in second place.
- Los
Angeles-Long Beach has the most artists overall (140,000), followed by
New York (133,000).
- Artists are diverse. The percentage of Hispanic, Asian or Native American artists grew from 9 percent in 1990 to 15 percent in 2005.
While the numbers indicate that artists make a big contribution to
the U.S. workforce, the average income for an artist in the U.S. is
$34,800—well
below the average for other professionals. Perhaps there is hope,
though, that as the number of working artists continues to grow, a
higher value will be placed on the artist's contribution as a working
professional. To download the
full report, visit the NEA website.
8/18/2008 1:39:08 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 15, 2008
Must-See Pastel Shows
Posted by jessica
There’s a flurry of exhibitions currently (or soon to be) open, so we thought we’d share what’s on our art show radar. Seattle, WashingtonThe Women Painters of Washington present “Painting Out Loud” (through Oct. 31), featuring the work of 20 artists. The Women Painters of Washington Gallery is on the third floor of the Columbia Center, 701 Fifth Ave. www.womenpainters.com; 206/624-0543. Hamilton, Ontario, CanadaPastel Artists Canada’s 17th annual juried exhibition, “Purely Pastel” runs through Sept. 13. Jean & Ross Fisher Gallery, 123 King St. W. www.pastelartists.com; 519/924-2202. Sacramento, CaliforniaThe Helen Jones Gallery is celebrating two decades in the business with the “20th Anniversary Art Show,” featuring 29 artists, including some familiar names such as Urania Christy-Tarbet and Reif Erickson. Through Aug. 31 at 2615 El Paseo Lane. www.helenjonesgallery.com; 916/481-1118. Pueblo, ColoradoThe Pastel Society of Colorado, together with the Sangre de Cristo Arts Center, presents the “2008 Mile High National Juried Exhibition,” featuring pastel paintings by 55 regional and national artists. The opening reception is 5-7 p.m. Sept. 18, and the show runs through Oct. 24 at the Sangre de Cristo Arts Center, 210 N. Santa Fe Ave. www.pastelsocietyofcolorado.org. Overheard | Shows and Events
8/15/2008 11:14:24 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, August 13, 2008
Pastel Painting Poll: What's Your Style?
Posted by sarah
Overheard
8/13/2008 2:56:27 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 11, 2008
Let the Game Begin
Posted by anne
The Summer Olympics are in full-swing now, and I am spellbound by the spirit of competition. I'm also, frankly, feeling a little sad that I never took up fencing. But hey, if fencing isn't your sport either, but pastel-painting is, then let me remind you about another top-level contest that also celebrates talent, skill and the drive for excellence: The 10th Annual Pastel 100. With five grand prizes, five winners in five categories, as well as honorable mentions in all categories, there are not just three, but 100 opportunities to "medal." The deadline is September 1, so that gives you three weeks to get in the game. For all the details, check out our competition guidelines.  And speaking of the Pastel 100, this year's Best of Show award-winner, Ron Monsma, featured in our April 2008 issue, came to town Saturday as the latest guest artist in the Miller Gallery's "Summer Artist Demonstration Series." This photo, provided by local artist and photographer, Shannon Godby, gives you a taste. You can see a slideshow of Monsma's pastel work and portions of my April interview with him on our website. Overheard | Shows and Events
8/11/2008 3:38:02 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 08, 2008
Artwork of Olympic Proportions On Display Aug. 11
Posted by jessica
 In honor of today’s opening of the 2008 Summer Olympics, we highlight a painting of, well, Olympic scale. According to the event’s website, a Chinese father-daughter art team, Liu Ningyi and Liu Haomei, presented their oil painting scroll, Ode to the Olympics, at a press conference Wednesday. The painting, which took seven years to complete, measures 5 by 112 meters (representing the number of Olympic rings and the number of years in the history of the Olympics, respectively). Prominent figures from Greek mythology, philosophers and standout athletes from Olympics past all make appearances in the piece, created to portray the history of the event and depict the mottos of “Swifter, Higher, Stronger” and “Peace, Friendship, Progress.” The painting will be on display at Beijing’s International Exhibition Center starting Aug. 11. Overheard
8/8/2008 11:39:59 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, August 06, 2008
Where Have All the Art Writers Gone?
Posted by sarah
Perhaps you've noticed, as we have, that the amount of real estate devoted to the arts in our country's publications has dwindled significantly in recent years. The arts are often bundled with lifestyles and entertainment these days, which has both obscured and obsficated the purported purpose and mission of art criticism so that the writer, more often than not, has his or her finger on record-breaking activity at auctions  or the latest art-world gossip, rather than curious developments or important flares in the field. Not only is there less space in which to talk about the arts when any serious talking manages to be done, but there are less writers talking about it. And, beyond that, they're no longer known as they were once known. Who are they? Where are they? What are they doing? Although it does not portend to answer these three (admittedly half-sillly) questions, " The Critical Moment:
Abstract Expressionism’s Dueling Duo," recently published in Humantities, does address a fourth: Where was art criticism in its finest moment? From the article: "As American modern art reached
its apex in the 1950s through the flowering of Abstract Expressionism, art criticism achieved a glittering purity of
its own—a beautiful high criticism perfectly matched to the period of high art.
The writers who defined the parameters of this criticism were Clement Greenberg (1909-1994) and Harold Rosenberg (1906-1978)." Click here to read about the "Grapple
in the Big Apple" between these two critical opponents. Makes you want to say, those were the days, until you realize you're turning into your mother, which maybe isn't the worst thing, but still. Overheard
8/6/2008 3:52:28 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 04, 2008
Sorting Out Color
Posted by anne
 "I suppose everyone has their little quirks," says pastel artist Marie Meyer, "And mine is this: I really dislike duplicating my pastel colors." The artist is a self-described fanatic about weeding out duplicates from her pastel box. "Having duplicates in there slows down my work," she says, "as I find myself dithering over which stick to choose when they are, in fact, the same color!" Meyer also wants to avoid duplicate colors because she doesn't want to carry around a lot of dead weight in her pastel box—space that could be occupied perhaps by some new, unique color that would add something fresh to her palette. So, Meyer decided to do something about it. The outcome is a new multi-brand color chart of pastels—a 136-page reference guide that covers all open stock artist pastels. "Before I took up art I worked in high-tech," Meyer says. "My experience there taught me that there are useful scientific methods for identifying and describing color with great precision. And so I decided to put that experience to work to create a new classification scheme for pastels that would making shopping easier and efficient." Her integrated color chart details the appearance of more than 5,700 sticks from 24 brands of soft and hard pastels. To see how it works, check out the chart below. Pastel Society of America Hall of Fame artist, Alan Flattmann, had this to say: "Marie Meyer's Multi-Brand Color Chart for Pastels gives us
an amazingly simple method of identifying color in a precise way. It
takes the mystery out of understanding color by showing how to think
about color in terms of hue, chroma and value." You can find out what other artists are saying about the resource—and place an order—online at www.huechroval.com. 
8/4/2008 12:30:02 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 01, 2008
Call for Entries
Posted by anne
 The opportunities for showing your pastel artwork continue. The Chicago Pastel Painters have made a call for entries for their second biennial juried exhibition. The exhibition is scheduled to take place February 5 through March 27, 2009, at the Koehnline Museum of Art at the Des Plaines campus of Oakton College, just outside Chicago. The Juror of Selection and Awards, Doug Dawson, will also be offering a three-day workshop (March 6-8) in conjunction with the show. Awards include a $1,500 Best of Show, as well as $8,000 in cash and merchandise awards. Some details: Accepting slides or digital images. Entry fees are $35/entry for up to three images. The postmark deadline is November 22. Visit the Chicago Pastel Painters website for a full prospectus or send a No. 10 SASE to: Mike Barret Kolasinski, 4124 North Monticello, Chicago, Illinois 60618. Pictured here: Silk Blouse (pastel, 25x21) by CPP member artist Michael Latala.
8/1/2008 11:16:20 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 30, 2008
Word on Pastel Workshop
Posted by sarah
The Appalachian Pastel Society (APS) has added a second workshop to artist Margaret Dyer's agenda: "Due to the strong response we've received for the Oct 4th-6th workshop, we're offering a second workshop. The second workshop will be in the same place (NC Ag Center in Fletcher, NC), and will take place October 8th-10th. This workshop is limited to 18 artists, and those on the waiting list from the earlier workshop will be given places first. Don't delay your registration if you're interested." Check out the APS website for more details. Angela in the Pink Chair (19x25) by Margaret Dyer Overheard
7/30/2008 9:04:08 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, July 28, 2008
Art Reality Show to Air on Bravo
Posted by jessica
 Update on Sarah Jessica Parker’s art reality show: Parker’s show, with the working title, “American Artist,” will debut this year on cable television channel Bravo. Here’s what the station has to say about the series: “ ‘American Artist’ will bring together aspiring artists to compete for a gallery show, a cash prize and a sponsored national tour. In each episode, contestants will create unique works of art highlighting art's role in everyday life, while they compete and create in a range of disciplines including sculpture, painting, photography and industrial design (to name a few). In working beyond their preferred mediums, artists will have to adapt quickly to changes in order to succeed. Completed works of art will be appraised by a panel of top art world figures including fellow artists, gallerists, collectors, curators and critics. The finalists' work will be showcased in a nation-wide museum tour.” Overheard
7/28/2008 10:33:06 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, July 25, 2008
Creative Spark Winners Announced
Posted by jessica
 Congratulations to Mike Beeman, of Cheyenne, Wyo., for winning the June Creative Spark challenge. His beautiful painting, Spring Bouquet (at right), fit well with Carole Catchen’s prompt on letting shape contribute to a painting’s total composition. “Both positive and negative shapes are created as equal components within the composition and should come together much like a composer would arrange notes for a melody or musical arrangement,” says Beeman. “It’s important to me that shapes create a sense of tension between the essential form and the background.” The artist won $200 toward the purchase of a Heilman pastel box. Our thanks to Heilman Designs for their generosity! Other favorites of the PJ editors included Refined Reflections, by Stephanie Wellman; Meadow Matriarch, by Deborah Maklowski; and Tea for Two, by Deborah Kidwell (pictured, L-to-R, below).  Did you miss the deadline for the June challenge? There’s still time to get involved in the August challenge—deadline is Aug. 29, and the prize is Mount Vision Pastels! Art Inspiration | Tips and Techniques
7/25/2008 11:06:23 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, July 21, 2008
Painting, By the Book
Posted by anne
 In the article, "Nurtured By Nature," in the August issue, I wrote about artist Cindy House having a fondness for playing audio books in the studio during painting sessions. That resonated with reader Mary Agrell Stroeing who emailed us with this letter: Dear Pastel Journal, Like the artist Cindy House [featured in August 2008], audio books are a piece of my creating, too. One of my favorite stories is a time when I was standing in front of the Mendenhall Glacier in Juneau, Alaska, where we lived from 1982 to 2002, working on a large pastel. I had my wide-brimmed hat and was listening to a talking book. As the tourists arrived to see the glacier, I continued to do my pastel and was not distracted by the coming and going of the visitors. When my husband came to visit me and called my name and I didn’t respond, a tourist stopped him and said: “She won’t hear you; she’s the real thing!”
I love audio books because they shut off the critical voice—and allow me to just create. I’d be curious what are some of House’s favorite stories/audio books or readers.
Mary Agrell Stroeing Via e-mail I asked Cindy House if she'd like to fill us in. Here's what she writes: It is always such a delight to hear of other artists that listen to audio books while painting. Mary Agrell Stroeing's story is priceless and she couldn't have expressed it better when she states that she"love(s) audio books because they shut off the critical voice--to just create."
I began renting books from Recorded Books—overall, the best group of narrators (several of whom could read me the phone book and I'd be entranced!)—and Books on Tape back in the early 90s. Over the years, I've rented hundreds. Early on, all the books were nonfiction—history, biography, nature and travel essays. In those days, I was a great arm-chair sailor, listening to Joshua Slocum's Sailing Alone Around the World and anything by Eric Newby. Since then, I've become a mystery fan, especially British, and especially enjoy books in series such as Ian Rankin, Reginald Hill, Donna Leon, and Laurie R. King, to name just a very few. I still enjoy nonfiction have listened to most the books by David McCullough, Simon Winchester, Bill Bryson and Nathaniel Philbrick. Last winter, though, I particularly enjoyed listening to City of Falling Angels , a story about Venice by John Berendt. And then there is Harry Potter ; Jim Dale's narration of J. K . Rowling's books is pure genius. I could go on and on with a list of titles and authors, but suffice it to say that listening to talking books has become an integral part of my creative process. There are always times when—no matter how much I love my pastels—that a painting becomes hard work. It's at these times, in particular, that I'm thankful for audio books. They'll draw me into the studio just to hear the last chapter or "who done it" and before long, I realize that I'm over the difficulties and back to the pure joy that is pastels. Best regards,
Cindy
Speaking of Harry Potter, Cindy told me she can't look at the painting Evening Flight (above; pastel, 13x18) without seeing a quidditch match in her mind, so we know what audio book was in play during that painting! If you have favorite soundtracks for your painting (whether audio books or music), feel free to bring the discussion right here to the blog. We love to get your comments!
Art Inspiration | Tips and Techniques
7/21/2008 9:48:40 AM (Eastern Daylight Time, UTC-04:00)
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