Free Updates
Navigation
Search
Archives
Categories
| September, 2008 (3) |
| August, 2008 (11) |
| July, 2008 (8) |
| June, 2008 (11) |
| May, 2008 (12) |
| April, 2008 (11) |
| March, 2008 (10) |
| February, 2008 (12) |
| January, 2008 (13) |
| December, 2007 (8) |
| November, 2007 (11) |
| October, 2007 (14) |
| September, 2007 (12) |
| August, 2007 (13) |
| July, 2007 (15) |
| June, 2007 (17) |
| May, 2007 (14) |
Links
|
 Monday, March 17, 2008
Need-To-Know Pastel News
Posted by sarah
 Our good friend and recent contributor (see the February 2008 issue) Jimmy Wright has written with some exciting Pastel Society of America (PSA) news. We'll let him take it from here: "I thought a timely Blog entry would be the announcement of the recipients of Pastel Society of America's highest honors Hall of Fame Honoree & Friends of Pastel Award for 2008: The big news is that Doug Dawson has been named Hall of Fame Honoree for 2008. A selection of works by the PSA Signature member and Master Pastelist will be on view during the 36th Annual Exhibition. A renowned teacher, Dawson has participated in more than 20 museum exhibitions. "Well-known advocates of pastel and founders of The Pastel Journal, Maggie Price and Janie Hutchinson, will receive the Society’s Friends of Pastel Award. Maggie Price will be teaching a workshop during the exhibition.
"The prospectus for the PSA 36th Annual "Pastels Only" Exhibition is hot off the press and will soon be in the mail to hundreds of artists. It will also be available for download on the PSA web site. All the details for entering the show are detailed in the prospectus. The 2008 exhibition will open September 5, 2008, in the historic Bernhard Gallery of the National Arts Club in New York City."
Much thanks to Wright for the skinny. As it happens, I'm currently editing a feature Dawson has written for the August issue of the magazine. Look for it on newsstands July 15, 2008. Featured above: In the Gentle Light of the Window by Doug Dawson Overheard | Shows and Events
3/17/2008 9:01:07 AM (Eastern Daylight Time, UTC-04:00)
|
|
 Wednesday, March 12, 2008
Print Hints
Posted by sarah
 Where's the best place in the whole wide world to buy prints? According some, it's The London Original Print Fair. Here's the skinny on this year's fair:
The London Original Print Fair, the longest-running specialist print
fair in the world, will be celebrating 23 years at the Royal
Academy of Arts. Once again, the Fair is larger than ever and covers
all periods of printmaking from the early woodcuts of Dürer and his
contemporaries to the graphic work of contemporary masters such as
Hockney and Hirst.
The Fair takes place in Burlington Gardens, April 23-27, 2008. Tickets are available at the door, prices start at a pretty reasonable £200 ($404.50) and all work is for sale. The hubbub on this year's extravaganza is a special collection of Warhol prints and related drawings. If you've ever had questions about prints ("what is a print?" for example), check out the fair's rather charming "about prints" page. Here's a sample: Prints have played an important role in the history of art. Before the
invention of photography, it was through engravings that many people
were able to become familiar with great works of art which would
otherwise have been inaccessible. This tradition of bringing paintings
to a wider public dates back to the fifteenth and sixteenth centuries,
when many artists employed engravers to reproduce their work. Hogarth recreated many of the images from his paintings
in engravings; Picasso was a prolific printmaker in the media of
etching, lithography and linocut. Some of Matisse’s best known images
are his simple lithographs and stencils. Other artists whose important works include prints are Dürer,
Canaletto, Tiepolo, Goya, Piranesi, Munch, Toulouse-Lautrec, Whistler,
Sickert, Warhol, Freud, Hodgkin and Hockney.
Featured Above: Intimate Relations: Safety Pin (screenprint, 2001) by Michael Craig-Martin Shows and Events
3/12/2008 12:30:20 PM (Eastern Daylight Time, UTC-04:00)
|
|
 Monday, March 10, 2008
Beating the Blizzard
Posted by anne
 You probably heard about the severe winter storm that pounded Ohio with as much as 20 inches of snow in some areas. Here in Cincinnati, I spied the first flakes about 8:30 Friday morning, and by noon, the F+W offices (home to The Pastel Journal) had already decided to shut down, so employees could begin their "slide" home. This late-season, record-breaking snowfall had effectively stalled my springtime revelries, but I've just found something that might restore it.  The March "Pastel Strokes" on WetCanvas! offers these two springtime photos by Paula Wilson to inspire a pastel painting this month. Paula writes that the first was taken at the Kaufmann Memorial Gardens in Kansas
City, Mo., and the second at a cottage garden close to
Alma, Kansas, in the Flint Hills. Thanks, Paula. I'm thankful that when Mother Nature doesn't cooperate, there's always photography to supply the images we wish we were seeing outside! If you're inspired to paint from these photos, you can post your finished artwork on WetCanvas! To see guidelines for participating, click here.
3/10/2008 11:22:22 AM (Eastern Daylight Time, UTC-04:00)
|
|
 Friday, March 07, 2008
National Women's History Month and the Brooklyn Museum
Posted by jessica
 Before inclement weather forces us to flee TPJ headquarters, we’re taking a moment to celebrate National Women’s History Month—particularly appropriate, considering our all-female staff. The National Women’s History Project (NWHP) is the organization responsible for the observance of National Women’s History Month each March. NWHP chose “Women’s Art: Women’s Vision” as the theme for this year’s month-long celebration, and selected the following artists as the 2008 honorees: Judy Chicago; Harmony Hammond; Edna Hibel; Lihua Lei; Cecilia Rose O’Neill; Violet Oakley; Jaune Quick-to-See-Smith; Faith Ringgold; Miriam Shapiro; Lorna Simpson; Nancy Spero; and June Claire Wayne. Go to the NWHP site for details on events throughout the month—and to celebrate women in history all year long. Speaking of Judy Chicago, her multimedia project, The Dinner Party, is now permanently on display at the Brooklyn Museum as part of its Elizabeth A. Sackler Center for Feminist Art, so the next time you’re in New York, check it out. We got a look at a few works from the Brooklyn Museum Wednesday here in Cincinnati at the Taft Museum of Art; “From Winslow Homer to Edward Hopper: American Watercolor Masterpieces from the Brooklyn Museum” recently opened, and we weren’t about to miss it! The exhibition features 70 watercolors from the Brooklyn Museum’s fantastic collection, chronicling the rise of the medium in America, and shifts in technique over the years. Anne even spotted some pastels in one of the earlier landscapes—Samuel Colman’s Late November in a Santa Barbara Cañon, California (about 1886-88). It’s truly a gorgeous show, on display through May 11. Art Inspiration | Shows and Events
3/7/2008 10:52:07 AM (Eastern Standard Time, UTC-05:00)
|
|
 Wednesday, March 05, 2008
Cross Pollination
Posted by sarah
 You've seen our new site, right? And you've noticed that we're teaming up with two other fine art magazines, right? What can this union bring to us? Here are just a few things you might want to check out this afternoon: 1. Find out what copyright law means to artists with this free downloadable guide. You can't afford to miss it. 2. Check out artist Greg Albert's critique of a pastel painting and find out how you can have your own work critiqued. 3. Watch a slide show that takes you inside the studio of renowned still life painter Jeanette Pasin Sloan. 4. Watch a PanPastel demo here. And then check out a whole heap of product reviews here. 5. Find out how to avoid Internet art scams here. 6. Do an art-inspired crossword puzzle and then look at all the answers. Art Inspiration | Overheard | Tips and Techniques | Tools and Materials
3/5/2008 4:01:13 PM (Eastern Standard Time, UTC-05:00)
|
|
 Monday, March 03, 2008
Lights, Camera, Paintbrush, Action
Posted by anne
 The F+W fine art magazine team has an exciting new project in the works—a series of e-workshops with fabulous artists in a variety of media. The very first shoot took place last week here in Cincinnati, and several of my fellow fine art editors and I got to be there to watch oil and pastel artist, M. Katherine Hurley, a recent cover artist for The Artist's Magazine, and watercolor genius Stephen Quiller demonstrate their extraordinary skills. (See Stephen in action in the photo at left. Also pictured is Karyn Meyer, lead administrator for WetCanvas! and coordinator of the ArtistsNetworkTV project.) The filming took place in Hurley's beautiful seventh-floor studio (huff, puff) in Cincinnati's Pendleton Art Center, where both artists created material for two 30- to 45-minute videos. Whether or not you paint in oil or watercolor, pastel or acrylic, there is so much to learn from different artists about composition and color, value and shape, and other vital art fundamentals. Both artists were a pleasure to meet and fun to watch. I can't wait to see the finished videos, which will hopefully be on the market later this spring! Stay tuned for further details.  Some of Hurley's pastels Overheard
3/3/2008 5:33:39 PM (Eastern Standard Time, UTC-05:00)
|
|
 Friday, February 29, 2008
Extreme Plein Air Pastels
Posted by jessica
While cleaning out my inbox—a task that has filled up most of the morning—I came across some cool images I received several months ago from plein-air painter D.F. Gray, who served as a panelist in Deborah Secor’s Special Report for our April issue (“ The Best Bang for Your Buck,” on page 78). Ship Points September 8th (28x38) The report focused on smart investments for artists, and Gray’s item of choice was his Olympus C-5060 Wide Zoom digital camera. The artist uses the camera not only for reference images, but also for the benefit of clients. Whenever someone purchases one of Gray’s paintings, he or she also gets a photo card of the work and a CD containing the photos shot the day it was created—“to show them the flavor of the day their pastel was painted,” Gray says. Here are some images from Gray painting on a dramatic day at Ships Point in the Gulf of Georgia on Sept. 8, 2007. As he explained in an e-mail, “The day started out blue with scattered clouds depicted in the pastel, but ended up dark and threatening.”  The start of the piece  Gray working  The sky just a few shades deeper than in the beginning Overheard
2/29/2008 11:51:38 AM (Eastern Standard Time, UTC-05:00)
|
|
 Wednesday, February 27, 2008
Pastel Confessions
Posted by sarah
While trolling around the web today for art news and ruminations (as I am wont to do), I realized I was due for a visit to Maggie Price's site. After all, she's a TPJ co-founder and a regular contributor to both the blog and the magazine and we just love her. Those of you who are wondering what Maggie has been up to lately can visit her site and find out about her recent painting trip to Spain, or the tricks she sometimes plays on herself to get back into the studio, or the workshops she's teaching. But of interest to me today is her recent work as the editor of Confessions of a Brush Peddler, an autobiography by Jack Richeson. From what we hear, it's a real page turner, and we're anxious to get our copy here at TPJ world headquarters.
Here's Maggie's blurb on the book: Maggie Price is the editor of Confessions of a Brush Peddler,
an autobiography by Jack Richeson. From his humble beginnings on the
streets of Chicago to positions of power and influence, Jack Richeson
chronicles his own growing-up years along with the growth of an
industry. It's a history of a way of life that's vanished--of changes
that eliminated entire professions, illustrators, graphic artists,
layout specialists and typographers. And it's a fascinating account of
the gritty streets of Chicago and a tough little Irish kid who fought
his way out of the slums and up the corporate ladder. Anyone who was
even peripherally involved in commercial, graphic or fine arts in the
last fifty years will find this an interesting record; anyone who just
likes a good story about the battles and triumphs of life will enjoy it
as well. Read any good art books lately? We're in the process of putting together a summer reading list for the June issue of the magazine and we'd love to hear your suggestions. E-mail us at pjedit@fwpubs.com Art Inspiration | Overheard
2/27/2008 10:17:58 AM (Eastern Standard Time, UTC-05:00)
|
|
 Monday, February 25, 2008
And the Winner Is
Posted by anne
 The water-cooler conversation today is all Oscar-related, but there's another awards show that's got us excited at The Pastel Journal.
In the current April issue, we reveal the winners of our 9th Annual
Pastel 100, and we couldn't be more excited if we were the Academy of
Motion Pictures' Board of Govenors! South Bend, Ind., artist
Ron Monsma took the top Jack Richeson/Unison Pastels Best of Show
award for his pastel still life, Collection With Acorns (shown here). I
talked to the artist about his prize-winning painting and his passion
for pastels and the still life. You can view an online slideshow with
audio extracts from our conversation right here. To see all five top
prize-winning works and read excerpts from our interviews with the
artists, visit our website. We may not have the red carpet and
the designer gowns, but we do get the April issue a little dressed up
for this occasion—with extra pages and a fancy perfect binding—to
better showcase the 100 exceptional pastels within.
2/25/2008 4:21:15 PM (Eastern Standard Time, UTC-05:00)
|
|
 Friday, February 22, 2008
Pastel Society UK Annual Exhibition
Posted by jessica
 The Pastel Society UK—whose members have included James Abbott McNeill Whistler, Edgar Degas and, more recently, Paula Rego and Mark Leach—holds its 109th annual exhibition March 5-16 at the Mall Galleries in London. A renowned event, this year’s show features work by invited artist Kenneth Draper, plus pastel paintings by members as well as nonmembers. You might remember reading about the 108th annual exhibition in our April 2007 issue (“Pastels Across the Pond,” by Ken Gofton). Other events of note during the exhibition include pastel workshops led by society members: 10:30 a.m.-4:30 p.m. March 6, 7, 8, 9, 12, 14, 15 and 16. The fee is £45, or around $86, per day. Pictured: Chichester Cathedral From Hoe Farm (30x37) by Mark Leach Overheard | Shows and Events
2/22/2008 10:40:18 AM (Eastern Standard Time, UTC-05:00)
|
|
 Wednesday, February 20, 2008
Pastel Starter Kit
Posted by sarah
 Our recent ruminations on Pastel FAQ's has resulted
in an influx of rather spirited e-mails. Some of you have even prioritized
your questions in order of importance to you as an artist. All we can
say is, wow. Your enthusiasm for the medium continues to inspire and
amaze us. So, what do you want to know this time around? Here is a
sampling (in order of importance to you as artists, of course). Q. Pastel dust!?! How do I keep it at bay?
A. Artists are an inventive sort--we hear all kinds of improvised solutions to this problem and we're always interested in hearing more--but the reality is that pastel dust comes with the territory. Learn to love it, and try to resist the temptation to blow on your paintings. Take your work on a little walk outside from time to time and tap it to remove excess dust. Wear disposable gloves or gloves in a bottle (check out the one-gallon bottle!) to protect your hands and wear a dust mask to protect your lungs if you're worried about your asthma. Many artists attach a dust trap to their easels for the purpose of catching dust, some lined with masking tape, and some attached to a device that will whisk the dust away to dust heaven. I can't resist adding Madlyn-Ann C. Woolwich's characteristically charming voice to the conversation here: Humming quietly next to me is an air cleaner....not the kind that takes
up a whole studio and costs a fortune; but one of the tall, thin ones that
are next to noiseless; that attract flying particles to a metal rod which is
removable and washable. It runs cheaply for hours, without annoying noises.
My easel tray is protected by a large trash bag clamped over the tray. When
dust hits the tilted tray it falls forward into
the bag. I use an old toothbrush to hasten any recalcitrant particles into
the bag. My feet are covered with large baggies, fastened at the top with the
double red elastics used to bind manuscripts. In a word I look wierd. (Read the entire essay here.) Q. Where can I find pastel supports (boards and papers) online? A. Here's a (short) list of online resources in no particular order: Cheap Joe's, Jerry's Artarama, Dick Blick, Dakota Art Pastels, Mister Art, Winsor & Newton, Jack Richeson & Co, Ampersand Art Supply. Q. Who do I talk to about my subscription? A. Give customer service a call at 877-860-9141 or click here.
Q. How do I get started in pastels? A. One good way to learn about pastels is to talk to pastel artists--join the pastel community, why don't you? As it happens, there's a riveting conversation on this very topic happening right now at WetCanvas! The lovely and knowledgable Deborah Secor takes up questions such as these (see list below) for newbies to the pastel world. Visit this, the king of all newbie threads, to find the answers from a variety of perspectives. 1. What pastels should you buy first and why?
2. What paper(s) should you try and why? 3. What other supplies will you need and what will you use them for?
4. How do you go about setting up to use pastels the very first time? 5. What about storing that pastel once you have something you want to keep? Of course, we've also got to give an obligitory nod to The Pastel Journal as an excellent resource for information on pastels. It's the only magazine designed specifically with pastel artists (both beginners and professionals) in mind. In the new special competition issue, you'll find more than 100 award-winning pastel paintings, plus a
special report (compiled by Deborah Secor) on getting the best bang for
your buck out of your art supplies. Visit an online gallery of works by the artists who contributed to Secor's feature here. And watch an online interview with the competition's Grand Prize winner Ron Monsma here. As always, send us questions if you've got 'em by clicking here. Tips and Techniques | Tools and Materials
2/20/2008 10:07:02 AM (Eastern Standard Time, UTC-05:00)
|
|
 Friday, February 15, 2008
Art Theft of the Century?
Posted by jessica
 Cézanne, Degas, van Gogh, Monet—could one go for bigger artists’ works to steal? In case you missed it, four legendary Impressionist works disappeared from the E.G. Bührle Collection in Zurich, Switzerland—in about 3 minutes—on Feb. 10, according to the BBC, NPR, New York Times, swissinfo. The estimated loss is $163.2 million, making the unfortunate event one of the biggest art heists the world has seen in 20 years. The stolen paintings are: Poppies near Vetheuil, by Claude Monet (1879); Count Lepic and his Daughters, by Edgar Degas (1871); Chestnut in Bloom, by Vincent van Gogh (1890); and Boy in a Red Jacket, by Paul Cézanne (1888). Click here for a virtual tour of the room where the four paintings used to hang. UPDATE (2/20/08): Two paintings have been recovered. Read more from NPR. Overheard
2/15/2008 12:17:16 PM (Eastern Standard Time, UTC-05:00)
|
|
|