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 Friday, February 15, 2008
Art Theft of the Century?
Posted by jessica
 Cézanne, Degas, van Gogh, Monet—could one go for bigger artists’ works to steal? In case you missed it, four legendary Impressionist works disappeared from the E.G. Bührle Collection in Zurich, Switzerland—in about 3 minutes—on Feb. 10, according to the BBC, NPR, New York Times, swissinfo. The estimated loss is $163.2 million, making the unfortunate event one of the biggest art heists the world has seen in 20 years. The stolen paintings are: Poppies near Vetheuil, by Claude Monet (1879); Count Lepic and his Daughters, by Edgar Degas (1871); Chestnut in Bloom, by Vincent van Gogh (1890); and Boy in a Red Jacket, by Paul Cézanne (1888). Click here for a virtual tour of the room where the four paintings used to hang. UPDATE (2/20/08): Two paintings have been recovered. Read more from NPR. Overheard
2/15/2008 12:17:16 PM (Eastern Standard Time, UTC-05:00)
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 Wednesday, February 13, 2008
Pastel FAQ's
Posted by sarah
 As I've mentioned before, we respond to a pretty incredible number of e-mails and letters at The Pastel Journal world headquarters in Cincinnati, many from long-time readers and many many many from pastel newbies. It's nice to hear from all sectors of the pastel world; it makes us feel like we're at the center of a great big international game of telephone. Or something. Lately, I find myself sending useful links to readers in almost every reply I write. Here are a few of the answers to some of our most frequently asked pastel questions. Click on the highlighted text and you'll go straight to the goods: Q. How can I find pastel artists/workshops in my area? A. A good place to start is our extensive listing workshops in the back pages of every issue of the magazine. You can also check in with your nearest pastel society. You'll also find active pastel communities on WetCanvas! and The Artists Network Forums. Q. How can I find out more about oil pastels? A. We do publish oil pastels occasionally (check out Brett Varney's gorgeous oil pastel trees in the October 2007 issue), though soft (dry) pastels are our primary focus. You'll find a lot information in the Oil Pastel area of Wet Canvas. Another good online resource for information regarding oil pastels is the Oil Pastel Society. Q. Can I travel on planes with my pastels? A. Yes, so long as they aren't mistaken for bullets, apparently. Richard McKinley shares his tips for traveling with pastels on the Pastel Pointers Blog. Q. How do I get my work in The Pastel Journal? A. Our submission guidelines are now downloadable here. (Just scroll down to our title.) And Anne gives you the inside line here. Of course, you can always send us your Creative Spark inspired paintings. This option has the added bonus of a wonderful prize ($150 worth of PanPastels in the April installment). Q. Which brand of pastel should I use? A. That's a personal choice, of course. Each pastel brand offers a different color range and has its own unique characteristics. Some are harder, some softer. Some are square, some round. It's about choosing the right tool for the job and your own artistic preferences. Many artists collect sticks from a variety of sources, and use a palette made up of a number of different brands. Since many artists like to begin a painting with harder pastels, and then move to softer sticks as they progress, a useful chart is Dakota Pastels' list of pastel brands organized in order from softest to hardest. Once you have a sizable pastel collection and you need help arranging your palette, you can find out how artist Richard McKinley does it here. Q. Where do I buy pastel painting supplies? A. Why not look online? You're already here, after all. Start your search at Artist's Marketplace. You'll also find plenty of ads for art suppliers right here on our blog, in the magazine and here. Most of the major players have websites these days. Just start with a simple search. Got a burning pastel question that doesn't appear on the list? I'll bet you do. If you'd like to get in touch with us, please don't hesitate to write. Tips and Techniques
2/13/2008 2:46:41 PM (Eastern Standard Time, UTC-05:00)
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 Monday, February 11, 2008
Honoring the Honorables
Posted by anne
We shipped the much-anticipated April "Pastel 100" issue off to the printer last Thursday. It's 100 pages of amazing art—the results of our 9th annual competition. (Perhaps you heard the staff's collective sigh of relief when that issue went out the door?!) While we await this official "broadcast" of the year's top winners, I thought I might go ahead and give our blog readers a sneak peek at some of the year's honorable mention winners. In a contest that pulls in nearly 5,000 entries, to be among the 70 honorable mentions is a mighty accomplishment. So, here's a look at the prize-winning work of five artists who achieved this impressive distinction:  In the Animal & Wildlife category, David Wells' painting Burba (20x28) is a fine example of engaging animal portraiture.  In the Still Life & Floral category, Jaye Schlesinger turns the ordinary extraordinary in her pastel White Door, No. 2 (8x8).  In the Abstract & Non-Objective category, the floral-inspired abstract Arched Patterns-Japanese Magnolias (18x12) won an honorable mention for artist Marcia Holmes.  The rich color in Paul Murray's landscape, Watermelon Mountain Glow (16x10), adds to an already attention-grabbing composition.  Theresa Deseve's painting, Grace (28x17), is the kind of portrait that stirs emotion. You'll find these and 95 other award-winning pastels (as well as guidelines for the 10th annual Pastel 100 competition) in the April issue. Be sure to look for it on our website February 19 or on newsstands beginning March 11. Art Inspiration | Shows and Events
2/11/2008 4:01:09 PM (Eastern Standard Time, UTC-05:00)
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 Friday, February 08, 2008
New Creative Spark Winner
Posted by jessica
 In the February issue of the magazine ("Creative Spark," in the Art Matters column, page 7), pastel artist Carole Katchen offered readers a Creative Spark challenge: generate visual energy by developing an entire painting with a certain type of stroke. We invited readers to e-mail us with their stroke-inspired creations. How surprised our team was by the increase in responses since the first challenge; our inbox was flooded with excellent work! Congratulations to Becky Way, of Yukon, Okla., for her winning piece, Two of a Kind (above). “ Two of a Kind is a small study, painted with the ‘chunk-chunk’ stroke with half-inch pieces of Ludwig pastels on Kitty Wallis paper, toned with a watercolor wash. It’s a quick push-and-pull stroke,” the artist writes. Way can look forward to some more Wallis paper—her prize is 16 (18x24) sheets of Wallis’ Belgian Mist and Museum paper. Many thanks to Kitty Wallis for her generosity! Other favorite submissions include Warm & Cool (below, left) by Lisa Fricker, of Lakeport, Calif., in which the artist “experimented with crosshatched strokes to move beyond filling contours, exploring the painting vs. drawing issue that is unique to pastel.” In Turning Point (below, right), by Barbara Newton, the artist “was thinking of wind and movement. The strokes I chose to portray that feeling are loose, open and random to give the feeling of rustling leaves and swaying grass.” More favorites (below, L-to-R): Le Petit Dejouner de Blu by Brenda Boylan, Sadie by Carol Murphy and Carbon by Maret Webb.  Thanks to everyone who participated in our challenge. Look for the next Creative Spark in the April issue of the magazine—coming soon (on sale on newsstands March 11). The winner of that challenge will receive $150 worth of PanPastels. Art Inspiration | Tips and Techniques
2/8/2008 10:52:56 AM (Eastern Standard Time, UTC-05:00)
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 Thursday, February 07, 2008
Come and See the Sites
Posted by anne
Our new website is now live, and I invite you—if you haven't already—to come for a visit. Before you do, take a moment to bookmark the new URL for The Pastel Journal homepage which is http://www.artistsnetwork.com/pasteljournal. While you're at it, bookmark the new URL for The Pastel Journal blog too, which is http://pastelblog.artistsnetwork.com. The Pastel Journal homepage will be your easiest path to finding out what's new on the site for pastel artists, but you can also search articles by pastel under the drop-down list of media. Note too that each image in the visual slideshow is a live link to an article, gallery, current issue or video. When you look around, you'll soon discover that The Pastel Journal site is only one
neighborhood in a larger community for fine artists, because the new site combines our content with that of our sister magazines, Watercolor Artist and The Artist's Magazine,
and you're sure to find a lot to inspire and inform from these
publications as well. A few hints: Anytime you click the magazine logos at the
upper-left of a page, you'll
return to the main page for this larger Artist's Network with content from all three publications. But, any time you want to return to The Pastel Journal home page, click the magazine title in the very top right of any page on the site.
It may feel at first like you're driving through unfamiliar territory, but we hope you'll take the time to look around and get
acquainted. And then, ya'll come back now, ya hear? Overheard
2/7/2008 10:29:11 AM (Eastern Standard Time, UTC-05:00)
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 Monday, February 04, 2008
Preparing for Launch
Posted by anne
Apparently, NASA has begun the
official countdown for a February 7 liftoff of the space shuttle Atlantis. With a little less hoopla, The Pastel Journal is also preparing a launch. We won't be heading to the International Space Station; we're just heading out onto the World Wide Web with a brand-new and much improved website! The new site combines the forces of our sister publications The Artist's Magazine, Watercolor Artist with The Pastel Journal to create a rich and dynamic site for fine artists of all kinds. You can search articles by magazine title, by medium and by genre, so it should be very easy to get to what you want. We'd like to give you, our blog readers, a sneak preview. Click here to visit the site and then take our short survey to let us know what you think. We're expecting some bugs in the beginning, so use the survey to let us know what they are, and we'll let "Houston" know we've got a problem! Overheard
2/4/2008 5:39:41 PM (Eastern Standard Time, UTC-05:00)
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Sarah Jessica Parker Shops Art Reality Show
Posted by jessica
 Rumor has it that Sarah Jessica Parker is pitching a reality show involving visual artists a la Bravo’s Project Runway. The scoop, according to NY Daily News, is that the program—a collaborative effort by Pretty Matches (Parker’s production company) and Magical Elves ( Project Runway, Top Chef)—will include creative challenges between artists across different media and feature a panel of prominent critics. To be fair, I am a fan of Runway, although I never got to see the 2006 series Artstar—which, from what I’ve read, sounds similar. Did anyone catch it? What are your thoughts on reality TV reaching the art world? Overheard
2/4/2008 4:57:20 PM (Eastern Standard Time, UTC-05:00)
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 Wednesday, January 30, 2008
Pastel Painting Bumps the Competition
Posted by Sarah
 PaintAmerica, a national, non-profit organization to support artists and promote the visual arts, has announced the winners of the 2007 PaintAmerica Top100 National Artists’ Competition. We're pleased to announce that a pastel painting took one of the top prizes: Ray Hassard's Bump (pictured here) took the Director’s Choice Award (Mini). The competition for all painting media was judged by a panel of nationally recognized artists including Paul Jackson and Sallie K. Smith. Winning paintings were chosen from hundreds of entries submitted nationwide. It looks like PaintAmerica hasn't updated its website yet, but you should be able to see images of the winners and find out when you can see them in person (the winning paintings go on tour) very soon here. Shows and Events
1/30/2008 9:25:53 AM (Eastern Standard Time, UTC-05:00)
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 Friday, January 25, 2008
See Your Work On Our Blog!
Posted by jessica
 In the February issue Creative Spark column, Carole Katchen prompts you to generate visual energy by developing an entire painting with a certain type of stroke. For example, in A Puppy’s Work Is Never Done (pictured here), Katchen chose scribbled pastel strokes to mimic the wild hair of the terrier. Send us an example of your stroke-inspired pastel painting. E-mail us a JPG image (at 72 dpi and an image size of about 4x5) by Friday, Feb. 1 and you'll be eligible to win eight sheets of 18x24 Belgian Mist Kitty Wallis paper and eight sheets of 18x24 Kitty Wallis Museum Paper. (Be sure to include "creative spark" in the subject line.) Our editorial team will select one winner (but runners-up may appear on our blog). Include your name, e-mail and mailing address in the message, along with a brief explanation of your design. (Unfortunately, you must be a U.S. resident to participate.) Get creative this weekend! Art Inspiration
1/25/2008 10:14:26 AM (Eastern Standard Time, UTC-05:00)
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 Thursday, January 24, 2008
More Pastel Society News
Posted by jessica
 Congratulations to William A. Schneider, one of our featured artists in the February issue. His painting, Third Floor Studio (at right), recently earned the Jack Richeson & Co./Pastel Society of America/The Pastel Journal Award at the Pastel Society of New Mexico’s 16th annual national exhibition. The jurors were Alan Flattmann, Paula Lawson and Maggie Muchmore, and Duane Wakeham served as judge. Schneider says the painting was created during an open studio session at the Palette & Chisel Academy of Fine Arts. "I was intrigued by the model's contemplative mood and the dramatic backlighting,” he says. “What was she thinking about?" Overheard
1/24/2008 1:32:38 PM (Eastern Standard Time, UTC-05:00)
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 Wednesday, January 23, 2008
A Pastel Journal Exclusive: On the Scene at MoMA
Posted by Sarah
If you haven't already seen it, there's still plenty of time to catch Lucian Freud: The Painter's Etchings at MoMA. The show runs through March 10, 2008 and promises to be a once-in-a-lifetime experience. Freud, grandson of the psychoanalyst Sigmund Freud, is known as one of the foremost figurative artists working today. Visitors to the exhibition will be treated to a rare sampling of the artist's etchings, which play an important role in his artistic life.
Visit an exceptional online version of the exhibition here. And read a first-hand account of the show from our own artist-on-the-scene, Group Publisher, David Pyle: The Lucian Freud show is a stunner. One of those rare shows that leaves you with an altered and shifted sense of self. I felt like I’d been given some kind of ‘hyper-clarity’ drug after being immersed in Freud’s portraits, and was, somehow, seeing other people in the museum, not as faceless passersby (which we all do in an people-packed environment), but as fascinating subjects of portraits themselves. I found myself staring at everyone, feeling as if I could unravel their pasts through their faces. Extraordinary and more that a little overwhelming - it’s quite challenge trying to grasp the stories of every visitor to a major museum on a Saturday afternoon in Manhattan. Not to mention irritating for all those that were subjected to my stare as they passed within my hyper-clarity sphere!
Photo courtesy of David Pyle
Overheard | Shows and Events
1/23/2008 12:03:55 PM (Eastern Standard Time, UTC-05:00)
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 Monday, January 21, 2008
Call for Entries
Posted by anne
 Hmmm, how would you like to see one of your pastel paintings hanging in a major museum of art? If you like the sound of that, take note: The International Association of Pastel Societies' (IAPS) 11th juried exhibition will go on display in June at the Flora B. Giffuni Gallery at the Butler Institute of American Art—the first museum of American art—in Youngstown, Ohio. The exhibition, which is open to any member of an IAPS society, has a deadline of March 19. Artist Urania Christy Tarbet, founder and president of IAPS, and award-winning pastel artist Duane Wakeham will be the jurors. The fee structure is $25 for the first slide and $10 for each additional slide (up to a total of five). For more information about IAPS membership and the competition recquirements, and to acquire an entry form, visit the IAPS website. Shows and Events
1/21/2008 11:41:33 AM (Eastern Standard Time, UTC-05:00)
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