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# Friday, November 16, 2007
Seeing Through the Eyes of Degas & Monet
Posted by jessica

degas.jpgIn our December issue you’ll find an item in the “Art Matters” column about a medical study of Edgar Degas and Claude Monet’s deteriorating eyesight and how it changed their painting styles. Here you’ll find a slideshow of how these artists viewed their subjects, based on Stanford University School of Medicine Opthamologist Michael Marmor’s study and computer simulation.






Overheard
Friday, November 16, 2007 8:55:13 PM (GMT Standard Time, UTC+00:00)  #  Comments [1]
Tuesday, November 20, 2007 3:36:39 PM (GMT Standard Time, UTC+00:00)
Many readers may not be familiar with Chuck Close’s painting style before and after his stroke. Close overcame the limitations of movement and control brought about by his stroke with a loose, abstract patterned brushstroke that conveys visual information similar to a pixel image.

His pre-stroke style is a cool, detached recording of visual information. The post-stroke style—while still conveying the realistic image—is loose and expressionistic, though controlled by a grid. He is a contemporary example of an artist expanding the visual vocabulary of art even against physical limitations.

Looking through a faceted crystal will give a student a clue as to how the world looks through a cubist eye; painting by copying the faceted crystal image does not re-create Cubism. Looking through the cloud of a cataract does not re-create Post-Impressionism. In science and art, innovation comes through fierce work and creative thinking in the face of insurmountable odds.
Jimmy Wright
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