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Friday, November 16, 2007
Seeing Through the Eyes of Degas & Monet
Posted by jessica
In our
December issue
you’ll find an item in the “Art Matters” column about a medical study of Edgar Degas and Claude Monet’s deteriorating eyesight and how it changed their painting styles.
Here
you’ll find a slideshow of how these artists viewed their subjects, based on Stanford University School of Medicine Opthamologist Michael Marmor’s study and computer simulation.
Overheard
11/16/2007 3:55:13 PM (Eastern Standard Time, UTC-05:00)
Comments [1]
11/20/2007 10:36:39 AM (Eastern Standard Time, UTC-05:00)
Many readers may not be familiar with Chuck Close’s painting style before and after his stroke. Close overcame the limitations of movement and control brought about by his stroke with a loose, abstract patterned brushstroke that conveys visual information similar to a pixel image.
His pre-stroke style is a cool, detached recording of visual information. The post-stroke style—while still conveying the realistic image—is loose and expressionistic, though controlled by a grid. He is a contemporary example of an artist expanding the visual vocabulary of art even against physical limitations.
Looking through a faceted crystal will give a student a clue as to how the world looks through a cubist eye; painting by copying the faceted crystal image does not re-create Cubism. Looking through the cloud of a cataract does not re-create Post-Impressionism. In science and art, innovation comes through fierce work and creative thinking in the face of insurmountable odds.
Jimmy Wright
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