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 Wednesday, November 04, 2009
Southwest Pastels
Posted by jessica
The Pastel Society of the Southwest is currently holding its 28th Annual Members Exhibition, juried and judged by Bob Rohm, at the ArtCentre of Plano, in Texas. Best of Show went to Marian Hirsch for Grazing; Kathleen Cook won First Place for Rapunzel; Second Place went to Patricia King for Blue Quilt; and Barbara Strasser took Third Place for Cactus Flower. The show runs until Nov. 14.
Thanks, PSSW, for sharing the good news!
 Best of Show: Marian Hirsch, Grazing
 First Place: Kathleen Cook, Rapunzel
 Second Place: Patricia King, Blue Quilt
 Third Place: Barbara Strasser, Cactus Flower
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Overheard | Shows and Events
Wednesday, November 04, 2009 3:47:56 PM (GMT Standard Time, UTC+00:00)
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 Tuesday, November 03, 2009
What's a PastelPerk?
Posted by sarah.strickley
 This week on our Twitter feed ( @pasteljournal) we're rolling out a spiffy new PastelPerks program. Here's how it works: We tweet about a PastelPerk, you retweet the news in your Twitter feed, we automatically enter you in a drawing for a free pastel prize. It's quick, it's easy and boy is it fun giving away free stuff! (Hint: If you head over to @pasteljournal now, you might find some interesting tweets regarding our new "Eight Greats" interview series.) Overheard
Tuesday, November 03, 2009 5:04:21 PM (GMT Standard Time, UTC+00:00)
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 Friday, October 30, 2009
Spooktacular Artwork (Inspired by Poe)
Posted by jessica
"Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before" —Edgar Allan Poe, "The Raven"
 There's really no better time of year to turn to the macabre and mystery of Edgar Allan Poe—and even better, some master art works to go along with it. You can see first-hand how works like "The Raven" influenced works of art at The Baltimore Museum of Art's special exhibition, Edgar Allan Poe: A Baltimore Icon. The show includes 80 prints, drawings and illustrated books by artists—such as Gauguin, Manet, Matisse, Odilon Redon, René Magritte, Robert Motherwell and others—whose works were inspired by Poe's sinister stories.
Happy Weekend!
Pictured: Édouard Manet, The Raven. 1875. The Baltimore Museum of Art: The
George A. Lucas Collection, purchased with funds from the State of
Maryland, Laurence and Stella Bendann Fund, and contributions from
individuals, foundations, and corporations throughout the Baltimore
community, BMA 1996.48.5172
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Art Inspiration | Overheard
Friday, October 30, 2009 6:47:10 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, October 28, 2009
Awesome Opportunity for Oil Pastelists
Posted by sarah.strickley
For those oil pastelists among us who might be looking for a way to earn recognition (and cash!) for their work, check out the All-Media Online Competition, sponsored by our sister title, The Artist's Magazine. Here are the pertinent specs: PRIZES:Grand Prize Award: $500 7 First Place Awards: $100 each The
Grand Prize winner and all 7 First Place Winners will receive
complimentary subscriptions to The Artist's Magazine and $100 worth of
North Light Books. Honorable Mentions receive complimentary subscriptions to The Artist's Magazine and $50 worth of North Light Books. Winners will be featured on The Artist's Magazine website along with a list of Honorable Mentions. All Winners and Honorable Mentions will receive a certificate suitable for framing. 7 CATEGORIES: Acrylic, Digital Art, Graphite/Charcoal/Colored Pencil, Mixed Media/Collage, Oil/Oil Pastel, Pastel, Watercolor. DEADLINE:All entries must be postmarked no later than November 2, 2009.Find out how you can enter your work by clicking here.
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workshops
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Artist's Network email newsletter & receive free fine art tips &
demos Overheard
Wednesday, October 28, 2009 2:03:24 PM (GMT Standard Time, UTC+00:00)
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 Monday, October 26, 2009
For VIPS (Very Important Pastelists)
Posted by anne
 If you're a fan of F+W's fine art magazines and books (and I know, already, you're a fan of The Pastel Journal, of course), you're going to want to hear about a new program that just launched. The Very Important Painter (VIP) program is a new membership program that supplies—for an annual fee—access to free content and gifts, as well as regular savings on all the art-inspiring books, magazines and digital materials you might need to support your passion. Here's how it works: With a one-year paid membership of $49.99, you get your choice of either a one-year subscription to The Artist's Magazine (a newsstand value of $51.90) or any one pick of a North Light art book (a retail value of $32.99)! You'll also receive three months of unlimited access to all the online workshops at artistsnetwork.tv. Finally, as a VIP member, you'll receive 10% off every purchase you make at www.northlightshop.com. This is the online store where you can find, among other things, The Pastel Journal's back issues, annual issue CDs and digital downloads; 144-page books by pastel artists such as Maggie Price, Margot Schulzke and Bob Rohm; and DVDs with pastel artists Deborah Secor and M. Katherine Hurley. Click here to see the complete program details.
Art Inspiration | North Light | Overheard
Monday, October 26, 2009 8:30:20 PM (GMT Standard Time, UTC+00:00)
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 Friday, October 23, 2009
Art Works Defined
Posted by jessica
National Endowment for the Arts (NEA) Chairman Rocco Landesman defined "art works" three ways Wednesday at the National Grantmakers in the Arts conference: It's a noun, verb and declarative sentence.
In an effort to learn more about the ways in which art works around the country, Landesman will begin a six-month national tour next month—and the NEA has launched a blog where you can post your account of how art works for you. Check it out at www.arts.gov/artworks.
MORE RESOURCES FOR ARTISTS
* Online
Seminars for Fine Artists
* Instantly download fine art magazines, books & video
workshops
* Sign up for your
Artist's Network email newsletter & receive free fine art tips &
demos
Art Inspiration | Overheard
Friday, October 23, 2009 4:24:39 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, October 14, 2009
As Seen on TV
Posted by jessica
Artist newlyweds Justin Gignac and Christine Santora joined forces a couple of years ago on a project, Wants for Sale, wherein they paint items they'd like to own, sell them for the actual price of the objects and then buy the objects (a painting of a gold Nixon watch went for $287.19; Sleep, however, was free).
In 2007 they modeled Needs for Sale, a site that offers paintings of specific items that others need—for example, a painting of a fish to benefit City Harvest, a New York organization that "rescues" excess provisions from the food industry and distributes it to community programs. Now they're back with a new batch of acrylic-on-canvas works, the "As Seen on TV" series. This series includes the—you guessed it—infomercial-influenced ShamWow, the Chia Pet, Snuggie (pictured below), and so on. The set goes up for sale today at noon (EST); check out the site for details.
MORE RESOURCES FOR ARTISTS
* Online
Seminars for Fine Artists
* Instantly download fine art magazines, books & video
workshops
* Sign up for your
Artist's Network email newsletter & receive free fine art tips &
demos
Overheard
Wednesday, October 14, 2009 4:06:34 PM (GMT Daylight Time, UTC+01:00)
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 Tuesday, October 13, 2009
The Obamas Go Art Shopping
Posted by Anne
Here's a fun game. Pretend you get to go shopping (well, borrowing) in the collections of the Smithsonian American Art Museum, the National Gallery of Art and the Hirshhorn Museum and Sculpture Garden; what pieces would you select for your home? President Obama and the First Lady got to do just that, and their 45 choices show an eclectic taste. Coming to the White House are paintings by Josef Albers, Mark Rothko and Jasper Johns; sculptures by Degas; paintings by contemporary
African-American artists—William H. Johnson, Glenn Ligon and Alma Thomas—and more. Read more and view a slide show at The New York Times web site.

Art Inspiration | Overheard
Tuesday, October 13, 2009 5:29:21 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, October 08, 2009
Pastel Community Loses Another Friend
Posted by anne
 I received more sad news this week. Michigan artist Jerry Power died on Sept. 27, 2009, at his home. He was 64 years old. Power was an award-winning pastel artist, whom we recently featured in the April issue as the winner of the Art Spirit foundation/Dianne B. Bernhard Silver Medal Award of Excellence in the 10th annual Pastel 100 (read more about that here) for his beautiful pastel Springtime (at left; 13x19).
Jerry was a member of a number of art organizations, among them, the Great Lakes Pastel Society; the International Association of Pastel
Societies, of which he was a Master Circle member; the Great Lakes
Plain Air Painters Association, in which he held a master painter
designation; and The Pastel Society of America, signature member. You can read the entire obituary as published in the Traverse City Record Eagle here.
The Pastel Journal staff would like to extend our sincere sympathy to Jerry's family and friends. I know we will miss him as a presence in the art community.
Overheard
Thursday, October 08, 2009 8:42:20 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, October 07, 2009
Indulge Your Wild Pastel Side
Posted by jessica
Art Inspiration | Overheard
Wednesday, October 07, 2009 7:31:14 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, September 23, 2009
Your Art News Here First
Posted by sarah
Check out the latest installment of Artist Network News and find out what's new on the fine art front.
Art Inspiration | Overheard
Wednesday, September 23, 2009 3:59:26 PM (GMT Daylight Time, UTC+01:00)
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 Monday, September 14, 2009
In Memoriam: Flora B. Giffuni (1919-2009)
Posted by anne
 Sadly, I learned on Friday that Flora B. Giffuni, pastel artist, teacher and founder of The Pastel Society of America (PSA), had passed away at the age of 89. The PSA, which held its annual awards ceremony for the 37th Annual "Pastels Only" exhibition yesterday at the National Arts Club in New York City, took the opportunity to pay tribute to Flora. Here are some of the remarks made by PSA President, Rae Smith: "We certainly would not be gathered together today if it had not been for Flora’s spirit and fortitude in forging ahead to create the Pastel Society of America. Her entire life was dedicated to promoting the pastel medium and pastel artists. Flora’s generosity and the generosity of the Giffuni family over the years funded awards and scholarships for many pastelists and students of this medium. "She was a little lady but a giant in the world of art. How will we do without her? Flora will never really be gone. Her presence will remain with us in our studios, at our board meetings and in our hearts forever." The obituary, as it appeared in The New York Times reads: Giffuni -- Flora Baldini. On September 10, 2009. Founder of the Pastel
Society of America. Wife of the late Joseph V. Giffuni. Survived by her
children JoAnn (Kenneth Wellner), Vincent J. (Barbara) and Cathe
Giffuni. Her lifelong passion for painting was an inspiration to many.
The family will receive friends on Tuesday, September 15, 2009, 2-6 and
7-9pm at Frank E. Campbell, 1076 Madison Avenue at 81st St.
Contributions in her memory may be made to the Pastel Society of
America, 15 Gramercy Park South, New York, NY 10003. Here at the magazine, we'll be working on a special tribute for an upcoming issue of The Pastel Journal. If you knew Flora personally and would like to share a remembrance, please send us an email at pjedit@fwmedia.com. [pictured above] Flora B. Giffuni upon receiving the Medal of Honor from the Salmagundi Club last spring. Overheard
Monday, September 14, 2009 7:25:01 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, September 10, 2009
Sketching Tool
Posted by jessica
 English artist Felicity House, featured in the October 2009 issue, works “across a wide spectrum of subjects—from figures to still life, to interiors and landscapes,” she says, but her pastel painting method is always the same: The artist prefers to paint on location, which requires quick preliminary sketches. For this, her go-to tool is a sharpened Popsicle stick dipped in India ink. Click here to find out why and to see some of House’s sketches of an Indian market (one of them pictured here). Overheard | Tips and Techniques | Tools and Materials
Thursday, September 10, 2009 4:12:27 PM (GMT Daylight Time, UTC+01:00)
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 Tuesday, September 01, 2009
Moving Day(s)
Posted by jessica
 As you’re without a doubt aware, today is the last day to postmark your entries for the 11th annual Pastel 100 Competition (entries must be postmarked on or before Sept. 1, 2009; if entering online, the cut-off time is midnight EST). And how is The Pastel Journal staff celebrating, you might wonder? We’re moving. Just one floor down in our building, but chaos ensues. (We’ll now have all of the company’s art publications in one spot, which will be nice.) So for the next couple of days we’ll be wading through boxes and bubble wrap, and might even post a few pre- or post-relocation pics. See you after we wrap it up! Overheard
Tuesday, September 01, 2009 3:18:36 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, August 26, 2009
Shipping to Subscribers This Week …
Posted by jessica
 The October issue is on its way out to subscribers this very minute! It’s a fantastic issue, starting with cover artist Marla Baggetta and her 100 variations of the same scene. We also explore natural wonders and the unique link between visual arts and conservation efforts with featured artists Frederick D. Somers, Lois Gold, Felicity House, Deb Gengler-Copple and Leslie Delgyer. The issue also gives you the scoop on the latest buzz-making products and materials, and the secret to dealing with the pastelist’s persistent problem in the studio: dust. Not a subscriber? Pre-order the issue here. Overheard
Wednesday, August 26, 2009 6:28:07 PM (GMT Daylight Time, UTC+01:00)
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 Friday, August 21, 2009
Today in Art History
Posted by jessica
On this day in 1911, Leonardo da Vinci’s masterpiece, the Mona Lisa, was stolen from the Louvre in Paris—and remained missing for two years—still ranking as one of the biggest art heists of the 20th century. Not one to fall under the public radar for long, Madame Lisa has made recent news again, this time attacked with a teacup (but protected by bulletproof glass). She’s not the first work of art to be assaulted. People have damaged famous pieces for the most bizarre reasons, with all sorts of ridiculous objects—the most recent that comes to mind is the Cy Twombly kissing bandit. Read more on crazy art attacks here. Overheard
Friday, August 21, 2009 5:17:38 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, August 13, 2009
Gauguin in Cleveland
Posted by jessica
 Mark your calendars: The Cleveland Museum of Art presents Paul Gauguin: Paris, 1889 (Oct. 4–Jan. 18), an exhibition examining how the artist developed his signature style that year. These 75 works re-create a turning point in Gauguin’s career: the independent exhibition he organized with his contemporaries on the grounds of the 1889 Exhibition Universelle—what’s now recognized as the first Symbolist exhibition in Paris. For details, call 877/262-4748 or go to www.clemusart.com. Paul Gauguin, Breton Eve (Ève Bretonne I) (1889; watercolor and pastel, 13¼ x12¼). The McNay Art Museum, Bequest of Marion Koogler McNay 1950.45. Image courtesy of the Collection of the McNay Art Museum, Bequest of Marion Koogler McNay
Overheard | Shows and Events
Thursday, August 13, 2009 9:13:20 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, August 06, 2009
Jimmy Wright at The Met
Posted by jessica
Jimmy Wright has several works in public collections—The Center for Book and Paper Arts, Chicago Columbia College; Yaser Art Center, in Paducah, Ky.; and the St. Paul Art Center, in Minnesota, to name a few—so it’s no surprise that one of his self portraits resides in The Metropolitan Museum of Art. This particular pastel, Portrait of the Artist (pictured), however, is also on display in The Met’s current exhibition, The Lens and the Mirror: Self Portraits from the Collection, 1957-2001. See the exhibition through Nov. 15, 2009, in the Lila Acheson Wallace Wing, Modern and Contemporary Art. Congratulations to the artist! Jimmy Wright, Portrait of the Artist (2001; pastel on paper, 19 1/4 x 17 3/8). The Metropolitan Museum of Art, New York. Purchase, Gertrude Whitney Conner Gift, 2001 Overheard | Shows and Events
Thursday, August 06, 2009 3:38:11 PM (GMT Daylight Time, UTC+01:00)
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 Monday, July 27, 2009
Win an Original Pastel Painting
Posted by anne
 How'd you like to own an original pastel painting, November Marsh (at left) by artist Duane Wakeham? Or perhaps a work by other pastel notables like Colleen Howe, Jimmy Wright, Barbara Groff or Gigi Liverant? These fabulous pastelists have each made donations of their work to the Pastel Society of America (PSA) for the organization's annual painting raffle held during the Pastels Only juried show in September. So, if you possess the winning ticket, one of these works could be yours!
Visit the PSA website to see all six paintings to be raffled. For tickets, which cost $5 each or $25 for a book of six, contact the PSA office at (212) 533-6931 or email pastelny@juno.com. Earnings from the PSA's raffle support the Flora B. Giffuni Atelier for Pastels, one of numerous programs the organization sponsors.
Overheard | Shows and Events
Monday, July 27, 2009 3:38:08 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, July 23, 2009
Sam Liberman Pastels at the Butler
Posted by jessica
Sam Liberman, who might sound familiar from our eighth annual Pastel 100 competition, is currently enjoying a solo exhibition at The Butler Institute for American Art in Youngstown, Ohio. The artist’s 33 pastels —landscapes, figures and florals—are on display through Aug. 16 in the Giffuni Gallery, a venue devoted to pastels and sponsored by pastelist Flora Giffuni. “I am honored to have my work shown in this setting, where so many other excellent pastel artists have shown their work over the past years and in this museum which contains so many wonderful pieces of American art,” says Liberman. Speaking of the Pastel 100 competition, there are only 40 days left to enter. Click here for details. Pictured: Is It True (24x18) by Sam Liberman Overheard | Shows and Events
Thursday, July 23, 2009 8:02:47 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, July 15, 2009
Thanks for Your Pastel Input
Posted by jessica
Thanks to those of you who took our editorial survey. I’ll be poring over the 1,000-plus submissions all day! We really do take your feedback into our brainstorming meetings, so you can rest assured that you have had a part in shaping the future of your favorite pastel magazine. Now, where's my coffee? Overheard
Wednesday, July 15, 2009 3:01:12 PM (GMT Daylight Time, UTC+01:00)
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 Monday, July 13, 2009
Pastel News Flash
Posted by anne
 The International Association of Pastel Societies (IAPS) has just launched a new item for pastel news junkies. A new IAPS e-newsletter will provide notice of upcoming pastel competitions, exhibitions, events, and other news of interest
to pastelists. Be the first to know! To sign up, visit the IAPS website and look for the sign-up box. And while you're on the website, check out the member society art showcases, the free article downloads, and more! Overheard
Monday, July 13, 2009 3:05:51 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, July 02, 2009
The Pastel Journal Reader Survey
Posted by sarah
Once every year we offer our readers a chance to tell us what they really think. Which features were your favorites this year? Which could you have done without? What would you love to see in the magazine? If you're already formulating answers to these questions, it might be time for you to join in the fun and take our easy online survey. For those readers who live in the States, you'll be entered to win a free copy of our 2008 CD archive just for completing the survey. (Sorry overseas artists! We'd love to send you a prize but international law forbids it.) Make sure to get your responses in by July 12, 2009. We read all of your comments and take them into account when planning our editorial calendar for the next year. Now's your chance to be heard. Click here to share your thoughts. Overheard
Thursday, July 02, 2009 7:43:23 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, June 17, 2009
Whistler’s Pastels at The Frick Collection
Posted by jessica
James Abbott McNeill Whistler (1834–1903)
The Cemetery (1879; pastel on brown paper, 8 x 11 7/8 inches) The Frick Collection, New York Photo: Michael Bodycomb
Currently on view (through Aug. 23) at The Frick Collection in Manhattan is Portraits, Pastels, Prints: Whistler in the Frick Collection. In addition to The Frick’s assembly of four full-length portraits by James Abbott McNeill Whistler and his 1866 seascape, Symphony in Grey and Green: The Ocean, the exhibition features three pastels and 12 etchings from the artist’s travels to Venice in 1879–80, which propelled an especially prolific period in his career. July 11 would be the artist’s 175th birthday, by the way. Look for a joint celebration for Edgar Degas and him in the August 2009 issue of The Pastel Journal, which ships to subscribers next Tuesday and hits newsstands July 14. Overheard | Shows and Events
Wednesday, June 17, 2009 5:00:37 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, June 10, 2009
Top 20th-Century Artists
Posted by jessica
The votes are in: The Times (UK) and the Saatchi have released their list of the top 200 artists working since 1900, with Picasso—whose Château de Vauvenargues is now open to the public—ranking in at No. 1, and Cézanne, Klimt, Monet and Duchamp rounding out the top five. Paula Rego, who was featured in the December 2006 issue of The Pastel Journal, landed at No. 142. Who would make your list? Art Inspiration | Overheard
Wednesday, June 10, 2009 3:33:14 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, June 04, 2009
Living Art Project Update
Posted by jessica
Pastel artist Penny Creasy founded the Living Art Project (featured in the October 2008 issue of the magazine), a series of free art classes offered to cancer survivors at St. Mary’s Regional Cancer Center in Grand Junction, Colo., in 2007 with a $1,000 grant from the Pastel Society of Colorado. Last fall, Creasy had just launched the Living Art Project’s second year; she recently e-mailed with an update: "We have completed another eight months working on the Living Art Project. The instructors—all professionals, and not necessarily pastelists—stepped up and gave amazing classes. I would like to recognize them in this report: Bev Lee, Gerri Harris, Dawn Sagar, Deb Bonzek, Chuck Morris and Lorraine Sells.
“Sometimes the numbers of participants didn't reflect the quality of the accomplishments. We decided as a group that three or four needed it as much as 10 or 12. The gravity of the illnesses made us realize that sometimes they just couldn't come. We discovered the value of what we were doing in the individual responses. We heard things like, ‘You changed my life,’ or ‘You have been my inspiration.’ That hour and a half twice a month gave each of those people that amount of time they didn't have to think about cancer. I asked one lady at the beginning class what her expectations were for the class. She said she wanted to ‘learn to draw while this destroys me.’ I told her that wasn't going to happen—and it hasn't. She came in one afternoon and said, ‘This wig is driving me nuts!’ I said, ’So take it off!’ She threw it in a sack and got on with the artwork. (I can't say giving her a voice through her art has healed her, but it sure has given her a reason for being.)
“St. Mary’s feels there is such a value in what we do that they want to continue and I believe they will come forward with some financial help. When people have heard what the project is about, they’ve volunteered to help with instruction or donate supplies. The Board of Directors of the Pastel Society of Colorado has agreed to supply funds for the next session beginning in September.”What good things like this project are happening in your community? Art Inspiration | Overheard
Thursday, June 04, 2009 3:06:48 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, May 20, 2009
Pastelist Terri Ford Does Justice to the Dunes
Posted by sarah
 I received a press release from pastelist Terri Ford today and just couldn't resist posting her gorgeous prize-winning pastel, Morning Fog, on the blog. The painting just won the Best Pastel Award at the Carmel Art Festival Plein Air Event. “It was a foggy morning but that only added to the magical atmosphere of the dunes," she says. "As long as it's not raining I am happy painting out on the dunes.” Those of you who are keeping score will remember Ford from the cover of our December 2006 issue. Art Inspiration | Overheard
Wednesday, May 20, 2009 7:07:34 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, May 06, 2009
Van Gogh's Ear
Posted by sarah
 A new study suggests that Vincent Van Gogh may have fabricated the famous story of self-mutilation surrounding his severed ear, which he wrapped in a cloth and presented to a prostitue, in order to protect the artist Paul Gauguin, who'd lopped it off with a sword during an argument in front of a brothel. From Telegraph: German art historians say the true version of events never surfaced as
the two men both kept a "pact of silence" – Gauguin to avoid
prosecution and Van Gogh in a vain attempt to keep a friend with whom
he was hopelessly infatuated. ... Other Van Gogh experts, including those at the Van Gogh Museum in
Amsterdam, disagree with the authors' claims. However, Nina Zimmer, the
curator of a major Van Gogh exhibition in Basel, was less sure:
"Perhaps they're right, but all the hypotheses are valid given the lack
of material," she told Le Figaro. In short, anything is possible. Read the whole sordid tale here. A nd see the ABC news coverage here. Overheard
Wednesday, May 06, 2009 5:04:07 PM (GMT Daylight Time, UTC+01:00)
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 Monday, April 20, 2009
Congratulations to Flora Giffuni
Posted by anne
 This week, Floral Giffuni (pictured at left with Urania Christy Tarbet and myself at the 34th annual "Pastels Only" awards dinner in 2006) will receive the prestigious Salmagundi Medal of Honor in recognition of her tremendous achievements as an artist and arts supporter. As both the founder of the Pastel Society of America (PSA) and the patron of the Flora B. Giffuni Gallery for Pastels at the Butler Institute of American
Art, Giffuni has been a tireless champion for pastel. Explaining, in a June 2007 feature in The Pastel Journal, the motivation for creating a national pastel society back in 1972, Giffuni said: "I realized how few people knew or respected pastel. It became my life's mission to do something about correcting the problem." Claudia Seymour, President of the Salmagundi Club, will award the medal to Giffuni at the Club's President's Dinner on April 23rd. Rae Smith, President of PSA; Jimmy Wright, PSA treasurer; and O. Alden James, president of the National Arts
Club, will offer tributes.  Please join me in congratulating Ms. Giffuni on this tremendous honor. It is certain that the current positioning of pastel in today's art world would not look the same had it not been for her efforts. If you would like to write a note of congratulations, you can send it c/o the
Pastel Society of America, 15 Gramercy Park South, New York, NY 10003. Three Faces (pastel, 18x24) by Flora Giffuni Overheard
Monday, April 20, 2009 7:31:10 PM (GMT Daylight Time, UTC+01:00)
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 Monday, March 02, 2009
It's a Boy!
Posted by anne
 For all of you who've come to recognize our managing editor Jessica—if not directly—than from her regular posts here on the blog, don't be puzzled when you don't see any new posts from her over the next few months. You see, she's going to be a little busy ... being a new mommy! I'm happy to announce that Jessica (and husband Jason) brought a little boy into the world early this morning. He's 7-1/2 lbs., 21 inches and everyone is doing well. Congratulations, Jessica and Jason! Overheard
Monday, March 02, 2009 6:53:11 PM (GMT Standard Time, UTC+00:00)
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 Monday, February 23, 2009
Creative Spark Winner
Posted by anne
 Congratulations to Dan Michael, the winner of our Creative Spark contest No. 7. The Mechanicsville, Va., artist submitted his painting, Fog After Freezing Rain, in response to Cheri Dunnigan's February 2009 challenge "Grappling With Grays." Michael explains his approach to gray: "I used muted colors overlayed with purplish-blue grays and blue grays to keep the background and middle ground cooler. These were blended together and feathered with a brush to eliminate hard edges. In the foreground, I used less grays and more complementary colors to let the warm oranges and yellows show through and come forward." The artist will receive a set of Terry Ludwig pastels (Maggie Price Essential Grays, valued at $90) along with a $50 gift certificate. Many thanks to Terry Ludwig for this generous prize donation!  We had great response to this Creative Spark challenge and received a number of wonderful pastels. Here's a few we'd like to share as honorable mentions: The Matriarch by Ariel Freeman; Leaving by Dawn E. Miller; Morning Light by Kathy Hirsh; Grey Barn, Red Trees by Mike Allen; and Broken by Brittany Lane Allen.  To see the past winners and challenges from all our Creative Spark contests, and the current challenge, visit the Creative Spark hub on our website.    Art Inspiration | Overheard
Monday, February 23, 2009 5:12:48 PM (GMT Standard Time, UTC+00:00)
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 Friday, February 20, 2009
Pastel 100 Competition Winners
Posted by jessica
 And the 10th anniversary issue hits just keep coming! You can now get a sneak preview of the top winners in the 10th annual Pastel 100 competition on our website. Click here to learn more about a pastel newcomer, a master of still life, a passionate professor, an animal lover and a demo that evolved into a prizewinning landscape. Pictured: Fallera in Turquoise (pastel, 20x13) by Carolyn Robles,
winner of the Jack Richeson/Unison Pastels Best of Show Award ($5,000). Overheard
Friday, February 20, 2009 9:34:38 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, February 18, 2009
Anniversary Slide Show
Posted by sarah
The pastel party continues! In honor of our 10th anniversary, we've put together a special slide show of highlights from our pages. Enjoy these stunning pastel paintings in a dynamic new format by clicking play below.
Art Inspiration | Overheard
Wednesday, February 18, 2009 2:48:43 PM (GMT Standard Time, UTC+00:00)
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 Friday, February 06, 2009
Copyright Infringement on Obama Image?
Posted by jessica
Copyright infringement is always a weighty issue when it comes to art, and the art created during the recent presidential campaign is no exception. The Associated Press is claiming it owns the rights to the photo that artist Shepard Fairey used to create his ubiquitous image of President Barack Obama ( Obama Hope) throughout the presidential campaign—and seeks credit and compensation for Fairey’s use of it without permission. Fairey maintains that he did nothing illegal in using someone’s image—a photographer who snapped the image while on assignment for the AP—to create his work. What do you think: fair use or copyright infringement? Click here to listen to the story from NPR. Update (Feb. 9, 2009): Fairey was in the news again Friday night. The artist was arrested for tagging property in Boston with his street art. Click here for details. Overheard
Friday, February 06, 2009 4:01:17 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, January 28, 2009
Join the Debate: Rock or Rap While You Paint?
Posted by sarah
 Have you noticed what's going on over at the Pastel Pointer's blog? Our friend Richard McKinley is stirring up quite a debate with his Name Your Tune post. Visitors are encouraged to share their favorite painting songs. Lately, our household is partial to Andrew Bird's new album Noble Beast. It's complex but it doesn't intrude upon our work. Plus, it's beautiful, rich songwriting. What's in your playlist? Art Inspiration | Overheard
Wednesday, January 28, 2009 7:23:08 PM (GMT Standard Time, UTC+00:00)
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 Friday, January 16, 2009
Andrew Wyeth, 1917-2009
Posted by jessica
Sad note to end the week: American painter Andrew Wyeth died early today at his home in Philadelphia. He was 91 years old. Read more details from The New York Times and The Washington Post. Our staff was fortunate enough to catch the exhibition, " Andrew Wyeth: Watercolors and Drawings," at the Cincinnati Art Museum in 2007—with a guided tour by the artist’s granddaughter, Victoria Wyeth, no less—which Anne wrote about in the June 2007 issue of the magazine. When Anne asked a question that Victoria wasn’t sure she could answer, Victoria phoned him using Anne’s mobile! (After which, Anne had to erase the number from her call log in front of Victoria, for security purposes.) Personally speaking, it was particularly interesting to learn what being a part of the Wyeth legacy entails. “To make the connection that the people sitting across the table and living next door to you are the people in the paintings—once that clicks, it’s the most amazing thing,” said Victoria. “He always says, ‘Vic, I’m painting my life.’ And he is painting his life, but he’s painting my life, too.” Art Inspiration | Overheard | Shows and Events
Friday, January 16, 2009 5:34:46 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, January 14, 2009
Claude Monet Was Distraught
Posted by sarah
 From Obit, a side of the impressionist master you may not have read very much about: "Impressionist Claude Monet was distraught. Despite a few adulatory
press notices and the sale of some paintings and works on paper, the
38-year-old artist could not support his small family. Constantly
broke, Monet approached collectors as well as friends and colleagues
such as Frederic Bazille, Gustave Courbet, and Edouard Manet for loans
and handouts. He could hardly afford art supplies. And now his wife,
Camille Doncieux, the mother of his two young sons, was on her
deathbed. She was 32. "Though he would live for 47 more years, enjoying love and fame, Monet
carried Camille always in his heart. His tender depiction of her was
hanging in his bedroom when he died at the age of 86 in 1926. After the
oil entered the collection of Michel Monet, the executor of his
father’s estate, the work remained unknown for 38 years. Today, it
belongs to the Musee d’Orsay in Paris and is often on view." Click here to read Phyllis Tuchman's full treatment of the enduring love story. Art Inspiration | Overheard
Wednesday, January 14, 2009 1:41:44 PM (GMT Standard Time, UTC+00:00)
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 Friday, January 09, 2009
Selling (and Finding) Art on Facebook
Posted by jessica
ArtNetwork Press invites you to listen (for free, via telephone or online) to one of the keynote speakers of its smARTist Telesummit 2009, “Facebook Expert” Mari Smith, and her presentation, " How to Sell Art on Facebook,” 7-8 p.m. (EST) Monday, Jan. 12. Click here for reservations.  Speaking of Facebook, have you found us there yet? If not, visit our page—search for ArtistsNetwork.com—and “become a fan” in the top right-hand corner of the page. There you’ll find information about our magazine as well as sister publications Watercolor Artist and The Artist’s Magazine. Overheard | Shows and Events | Tips and Techniques
Friday, January 09, 2009 3:27:14 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, January 07, 2009
One Artist's Advice to Another: Make It Happen
Posted by sarah
 If you want your work to be seen, it's up to you to make it happen--at least that's what Brian Sherwin from MyArtSpace argues in his most recent blog post: "It is my opinion that an artist can’t wait to be discovered.
An artist must take the bull by the horns and utilize every opportunity
in order to promote his or her artwork--again, he or she must make it happen," he says. Fair enough, but what steps does today's artist need to take to get the ball rolling? Sherwin offers a number of good tips for artists, including: Answer email that you receive about your art promptly; be smart about how you list your contact info; have a website or online community profile that is devoted to your artwork; and maintain an active blog for your art. Click here to read the full post. Art Inspiration | Overheard
Wednesday, January 07, 2009 2:40:15 PM (GMT Standard Time, UTC+00:00)
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 Friday, December 19, 2008
Children’s Healing Art Project
Posted by jessica
 Those in the Portland, Ore., area still finishing up their holiday shopping need only make one more stop: the Children’s Healing Art Project (CHAP) Holiday Bizarre. What’s CHAP about, you ask? It’s a Portland program consisting of a mobile team of teaching artists who create art with patients and families of patients in local children’s hospitals. CHAP’s Holiday Bizarre is a 27-day nonstop art-making factory at the 937 Condos that comes to a close Dec. 24. You’re invited to come and view works of art by the children CHAP works with in any day from noon to 7 p.m., and make your own gifts, wrapping and ornaments, too. The goal is to raise funds for the CHAP art programs and spread the healing power of art to the public—a gift that truly keeps on giving. Overheard | Shows and Events
Friday, December 19, 2008 3:54:33 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, December 17, 2008
Image Archives at Your Fingertips
Posted by sarah
 The world's public photography archives are at your fingertips with Flickr's new online project: The Commons. So far, participating organizations include the The Library of Congress, Brooklyn Museum, Smithsonian Institution and the New York Public Library, to name only a few. Visitors are invited to enjoy unprecedented access to publicly-held collections and to add their own contributions by adding tags or leaving comments. Click on one of my favorites from the Brooklyn Museum above to see what others are saying about it. Pretty cool, eh? Art Inspiration | Overheard
Wednesday, December 17, 2008 2:39:11 PM (GMT Standard Time, UTC+00:00)
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 Friday, December 12, 2008
NEA: Female Artists Make Less than Male Artists
Posted by jessica
 According to the National Endowment for the Arts, female artists earn less than male artists—surprise! According to the recently released study, “Women Artists: 1990-2005,” an increasing number of women are taking on more traditionally male artist occupations, but still earn less than male artists. This study further examined female artist employment trends that were featured in the May 2008 report, “Artists in the Workforce: 1990-2005.” According to the study, women artists who work full-year, full-time earn 75 cents for every dollar made by men artists. On the whole, women workers earn 77 cents for every dollar earned by men. Other findings: Women make up just less than half of all artists nationwide (46 percent), yet are underrepresented in many artist professions; women have achieved a greater presence in some artist occupations, such as photography; women artists are as likely to be married as female workers in general, but less likely to have children; and female artists cluster in low-population states. Find the full details at www.nea.gov. Overheard
Friday, December 12, 2008 8:08:37 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, December 10, 2008
Postcards from the United Society of Pastel Artists
Posted by sarah
Overheard | Shows and Events
Wednesday, December 10, 2008 7:02:55 PM (GMT Standard Time, UTC+00:00)
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 Friday, December 05, 2008
More Must-See Pastels
Posted by jessica
Hammer Galleries in New York present Sheldon Berkowitz: Reflections through January 7. You might be familiar with the artist; his work has appeared twice in The Pastel Journal (most recently, in the August 2005 issue). Berkowitz’s pastels over watercolor on paper are so strikingly realistic, we’d love to be there to see them up close! Inkwell, Crystal & Pen (2008; pastel over watercolor on paper, 32x40)
Overheard | Shows and Events
Friday, December 05, 2008 9:52:05 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, December 03, 2008
Do You Know the Mockingbird?
Posted by sarah
Art Inspiration | Overheard
Wednesday, December 03, 2008 2:06:48 PM (GMT Standard Time, UTC+00:00)
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 Monday, December 01, 2008
Showstopper: Lorenzo Chavez
Posted by anne
 I've learned from pastel artist Lorenzo Chavez, who was last featured in the January / February 2008 issue, and who just served as a juror for our 10th Annual Pastel 100 competition (results coming soon in March/April 2009), that he's having a major one-man show at Pinon Fine Art, a gallery in Littleton, Colo. The show celebrates the Colorado artist's 20-year long career painting landscapes that capture the beauty of the western states. "My 20-year journey of experiencing and expressing the beauty of the landscape has been a joy," Chavez says. "I have been honored and privileged to share this journey with others." The show opens Friday, December 5, and runs through January 7, 2009. Above: The Rocky Mountains (pastel, 18x24) by Lorenzo Chavez Overheard | Shows and Events
Monday, December 01, 2008 6:58:58 PM (GMT Standard Time, UTC+00:00)
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 Tuesday, November 25, 2008
A Nice, Long Odilon Redon Video
Posted by sarah
Overheard
Tuesday, November 25, 2008 6:23:26 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, November 19, 2008
Pastel Painting in Spain
Posted by sarah
If you've ever wondered what pastel artists like yourselves are painting in Spain, take a look at the Spanish Pastel Society's (ASPS) website, by clicking here. Below you'll find just a few highlights from the gallery.    Overheard
Wednesday, November 19, 2008 6:32:50 PM (GMT Standard Time, UTC+00:00)
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 Friday, November 14, 2008
Art in Arizona
Posted by jessica
 The Arizona Art Alliance Juried Fine Art, Exhibition, Sale & Expo takes place today through Sunday, featuring all kinds of artsy goodness: free two-hour workshops with saught-after artists such as Leslie B. DeMille, Betsy Dillard Stroud, Grace Haverty, Liz Kenyon and David Lloyd Bradley, to name a few; juried artist demonstrations; a quickdraw-paint-around; plein air paint out; and 8,400 square feet of display space. Stop by Fountain View Village (16455 Avenue of the Fountains, Fountain Hills) if you’re in the area, and check the AAA website for more details. Overheard | Shows and Events
Friday, November 14, 2008 8:22:10 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, November 12, 2008
Show You Care by Sharing
Posted by sarah
 In a novel approach to sharing her work, Michelle Richeson, (who's stepping down from her position at Jack Richeson & Co. to devote herself more fully to her painting), has launched an effort to raise money for hospitals and bring a little light into the lives of sick children. Recalling the fear she experienced herself as a young child in a hospital, she's offering giclée prints of North Bay Carousel (pictured here behind the artist) for fund-raising purposes. Check out the full details by clicking here.
Overheard
Wednesday, November 12, 2008 9:23:49 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, November 05, 2008
One Pastel Society's Inventive Website
Posted by sarah
Overheard
Wednesday, November 05, 2008 8:46:08 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, October 22, 2008
Pastel Potraits in Motion
Posted by sarah
Check out a video of pastelist Mike Beeman's fine portraits. And in case you haven't visited recently, click here to visit the artist's painting blog. Art Inspiration | Overheard
Wednesday, October 22, 2008 4:10:31 PM (GMT Daylight Time, UTC+01:00)
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 Friday, October 17, 2008
California (Pastel) Dreamin'
Posted by jessica
 The Sierra Pastel Society presents its 7th annual “Pastels on High” International Art Exhibition. This year’s judge and juror is none other than renowned pastelist Urania Christy Tarbet, with prizes ranging from $1,000 to $5,000 in cash and merchandise. Catch the show through Oct. 25 at the Hang It Up Gallery in El Dorado Hills, Calif. (Town Center 4359, Town Center Blvd, Suite 113). Gallery hours: noon-5 p.m. Sunday and Monday; 10 a.m.-7 p.m. Tuesday-Friday; 10 a.m.-6 p.m. Saturday. 916-939-1845. Overheard | Shows and Events
Friday, October 17, 2008 9:10:53 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, October 15, 2008
Creating Sandscapes Pixel by Pixel
Posted by sarah
 As far as art projects on the Web go, this one just might take the prize for the week: thissand.com allows visitors to build colorful sand castles by transforming the pixels on the screen into digital grains of sand. Click your mouse to drop the sand and use simple commands to change the color or gradiant. A soft sandy sound accompanies the process, which I find extraordinarily soothing. Once you've finished your sandscape, save it to the gallery for everyone to see. (Mine is pictured above.) Read more about the project and see some of the best creations yet at thissand.com/blog. Art Inspiration | Overheard
Wednesday, October 15, 2008 4:52:15 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, October 08, 2008
MoMA Pastels Online
Posted by sarah
 One of the best things about The Museum of Modern Art's website is that many of the most exciting pastels in the museums collection are accompanied by wonderful, insightful reviews that place the painting in an artistic and historical context. Consider this passage on Degas' painting, At the Milliner's (pictured here): "Pastel, an important drawing medium at the end of the nineteenth
century due in part to a new preoccupation with color, appropriately
expresses, through its inherent fragility, the ephemeral encounter
between two women of different milieus that lies at the heart of
Degas's composition." Click here to read the rest of the entry and to see more stunning pastel paintings. Art Inspiration | Overheard
Wednesday, October 08, 2008 9:40:56 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, September 24, 2008
Behind the Scenes at the Pastel 100
Posted by sarah
 In the event that you missed our bi-weekly newsletter on Tuesday, check out an image from behind the scenes at our biggest competition yet. That's editor Anne Hevener (at left), struggling to breath beneath a pile of slide entries. Though the vast majority of this year's entries were digital, we did see our fair share of slides--a sign, perhaps, that the shift to digital is almost, but not quite, complete. Recently, Anne shared her thoughts on this year's competition: “I think my eyes are starting to bug out, but I love having the opportunity to do this. It's an incredible experience to see so many paintings all at once, because you get such a dramatic example of how every artist is able to bring a unique vision to his or her subject. It's wonderful to see. And always inspiring. And I'm certainly glad I don't have the tough task that we're about to pass to our jurors—that of narrowing down these entries to only 20, with five top place winners, in their category. Talk about challenging!” Stay tuned for more competition news as we anxiously await the news from our jurors. Overheard
Wednesday, September 24, 2008 7:04:36 PM (GMT Daylight Time, UTC+01:00)
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 Friday, September 19, 2008
Creative Spark Honorable Mentions
Posted by jessica
Congratulations to the August issue Creative Spark entries that took honorable mentions. The challenge was to put a neglected color to work. Here’s how the artists did so: Turquoise Skyline: Philly (17x21) by Madeleine Kelly, of Ridley Park, Pa.
“Color is my passion, which is why I love pastels, and why I’ve used almost every color somewhere in my paintings. I often use turquoise, but the use is usually limited to a few minor strokes as a an accent or as a means of balancing out the greens in a landscape. However, making turquoise the dominate color in my painting is something I’ve definitely wanted to try. For several months I’ve been creating a series of Philadelphia scenes, mostly of landmarks and historic buildings—and, of course, a few Philly skylines. “Since I was painting a hot and hazy afternoon scene of Philadelphia, I chose bright orange to exhibit very warm—but strong—light. I used different values of turquoise as the sky and water, sort of an envelope, which balanced out the orange. Then I softly glazed the whole painting with again with turquoise. Fun experiment!” ********
Chanticleer by Carol Woolford
“Pink is a color I rarely use except for highlights in skies or around the rim of an object, rarely as the predominant color. I was very taken by a spray of very subtle pink grass behind three dark purple flowers. It was the pink background that caught my eye and presented the challenge of making it look soft, but not too sweet. Subtle hints of pink were added to the green background and in the foreground flowers to make the painting work.” ********
Seeds of Summer (11x14) by Linda Evans, of Valley Center, Calif. “I’ve been especially fascinated with the exotic pastels, which include metallic, iridescent, pearlescent and fluorescent colors. I tend to favor blues and purples, which is reflected in my home decor, my clothes and, of course, my painting. The one untouched color, pristine in its paper wrapping, was fluorescent lime green. “I decided to paint an unusual perspective, an extreme close-up, of a common fruit, the kiwi. Once an exotic winter import from Australia, most kiwis are now grown in my home state of California. The crowning creative inspiration came from adding a few strokes of that virgin fluorescent lime green to the rear kiwi slice, which made the fruit just pop. This pastel became the main color focus for the front kiwi; the juicy fruit pulp glows with the fluorescent lime green. Adding this color to my palette truly unleashed creative sparks.” ********
Art Inspiration | Overheard
Friday, September 19, 2008 2:33:04 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, September 10, 2008
The New Frontier: Solar Powered Art
Posted by sarah
 Sometimes I just love browsing through press releases. It's like combing the beach for nice shells. Here's one that caught my eye--and imagination--today: Language of the Birds, a permanent site-specific sculpture by Brian Goggin with Dorka Keehn, will be installed mid-October, 2008 and unveiled at the beginning of November in San Francisco. It will be the first permanent solar-powered public art piece in the United States. The sculpture is a flock of 23 illuminated books, which appear to have just taken flight from the plaza. Appearing as though they're in motion, the books have flown open creating various wing positions with the pages and bindings. Each unique book is fabricated in frosted white translucent polycarbonate. These sculptural elements will be suspended from a geometric web of stainless steel aircraft cables. At night, LED lights encrusted in the books will create an array of unexpected visual patterns. Goggin and Keehn teamed up with scientist David Shearer and Lawrence Ferlengetti’s City Lights Books to power Language of the Birds with solar panels mounted on top of the iconic bookstore. Art Inspiration | Overheard
Wednesday, September 10, 2008 4:43:04 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, September 03, 2008
Painting Competition Fever
Posted by sarah
 It's true: The deadlines for entry to the 10th Annual Pastel 100, our biggest competition yet, have passed. We're already gearing up to view more pastel paintings that seems humanly possible in the coming weeks, but you'll have to wait until the April 2009 issue hits newsstands before you see the winning paintings. In the meantime, those of you who have yet to cure your painting competition fever might consider taking a look at The Artist's Magazine All-Media Online Competition. You can enter to win in seven categories--including a new digital art category--for a chance to win $500 or a bunch of other prizes. The deadline for that competition is November 3, 2008. We reckon a few of you might be interested in entering your oil pastel paintings. Art Inspiration | Overheard
Wednesday, September 03, 2008 8:23:46 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, August 27, 2008
Do You Tube Pastels?
Posted by sarah
I'm always really excited when I discover one of the magazine's friends on You Tube. Check out Sandy Byers' little montage of works. She'll send you to her blog at the end of the show, or you can just click here to visit it now. Of course, you can also pick up the June 2008 issue of PJ to find her work in our "Animal Attraction" feature. Overheard
Wednesday, August 27, 2008 8:12:04 PM (GMT Daylight Time, UTC+01:00)
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 Friday, August 15, 2008
Must-See Pastel Shows
Posted by jessica
There’s a flurry of exhibitions currently (or soon to be) open, so we thought we’d share what’s on our art show radar. Seattle, WashingtonThe Women Painters of Washington present “Painting Out Loud” (through Oct. 31), featuring the work of 20 artists. The Women Painters of Washington Gallery is on the third floor of the Columbia Center, 701 Fifth Ave. www.womenpainters.com; 206/624-0543. Hamilton, Ontario, CanadaPastel Artists Canada’s 17th annual juried exhibition, “Purely Pastel” runs through Sept. 13. Jean & Ross Fisher Gallery, 123 King St. W. www.pastelartists.com; 519/924-2202. Sacramento, CaliforniaThe Helen Jones Gallery is celebrating two decades in the business with the “20th Anniversary Art Show,” featuring 29 artists, including some familiar names such as Urania Christy-Tarbet and Reif Erickson. Through Aug. 31 at 2615 El Paseo Lane. www.helenjonesgallery.com; 916/481-1118. Pueblo, ColoradoThe Pastel Society of Colorado, together with the Sangre de Cristo Arts Center, presents the “2008 Mile High National Juried Exhibition,” featuring pastel paintings by 55 regional and national artists. The opening reception is 5-7 p.m. Sept. 18, and the show runs through Oct. 24 at the Sangre de Cristo Arts Center, 210 N. Santa Fe Ave. www.pastelsocietyofcolorado.org. Overheard | Shows and Events
Friday, August 15, 2008 4:14:24 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, August 13, 2008
Pastel Painting Poll: What's Your Style?
Posted by sarah
Overheard
Wednesday, August 13, 2008 7:56:27 PM (GMT Daylight Time, UTC+01:00)
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 Monday, August 11, 2008
Let the Game Begin
Posted by anne
The Summer Olympics are in full-swing now, and I am spellbound by the spirit of competition. I'm also, frankly, feeling a little sad that I never took up fencing. But hey, if fencing isn't your sport either, but pastel-painting is, then let me remind you about another top-level contest that also celebrates talent, skill and the drive for excellence: The 10th Annual Pastel 100. With five grand prizes, five winners in five categories, as well as honorable mentions in all categories, there are not just three, but 100 opportunities to "medal." The deadline is September 1, so that gives you three weeks to get in the game. For all the details, check out our competition guidelines.  And speaking of the Pastel 100, this year's Best of Show award-winner, Ron Monsma, featured in our April 2008 issue, came to town Saturday as the latest guest artist in the Miller Gallery's "Summer Artist Demonstration Series." This photo, provided by local artist and photographer, Shannon Godby, gives you a taste. You can see a slideshow of Monsma's pastel work and portions of my April interview with him on our website. Overheard | Shows and Events
Monday, August 11, 2008 8:38:02 PM (GMT Daylight Time, UTC+01:00)
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 Friday, August 08, 2008
Artwork of Olympic Proportions On Display Aug. 11
Posted by jessica
 In honor of today’s opening of the 2008 Summer Olympics, we highlight a painting of, well, Olympic scale. According to the event’s website, a Chinese father-daughter art team, Liu Ningyi and Liu Haomei, presented their oil painting scroll, Ode to the Olympics, at a press conference Wednesday. The painting, which took seven years to complete, measures 5 by 112 meters (representing the number of Olympic rings and the number of years in the history of the Olympics, respectively). Prominent figures from Greek mythology, philosophers and standout athletes from Olympics past all make appearances in the piece, created to portray the history of the event and depict the mottos of “Swifter, Higher, Stronger” and “Peace, Friendship, Progress.” The painting will be on display at Beijing’s International Exhibition Center starting Aug. 11. Overheard
Friday, August 08, 2008 4:39:59 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, August 06, 2008
Where Have All the Art Writers Gone?
Posted by sarah
Perhaps you've noticed, as we have, that the amount of real estate devoted to the arts in our country's publications has dwindled significantly in recent years. The arts are often bundled with lifestyles and entertainment these days, which has both obscured and obsficated the purported purpose and mission of art criticism so that the writer, more often than not, has his or her finger on record-breaking activity at auctions  or the latest art-world gossip, rather than curious developments or important flares in the field. Not only is there less space in which to talk about the arts when any serious talking manages to be done, but there are less writers talking about it. And, beyond that, they're no longer known as they were once known. Who are they? Where are they? What are they doing? Although it does not portend to answer these three (admittedly half-sillly) questions, " The Critical Moment:
Abstract Expressionism’s Dueling Duo," recently published in Humantities, does address a fourth: Where was art criticism in its finest moment? From the article: "As American modern art reached
its apex in the 1950s through the flowering of Abstract Expressionism, art criticism achieved a glittering purity of
its own—a beautiful high criticism perfectly matched to the period of high art.
The writers who defined the parameters of this criticism were Clement Greenberg (1909-1994) and Harold Rosenberg (1906-1978)." Click here to read about the "Grapple
in the Big Apple" between these two critical opponents. Makes you want to say, those were the days, until you realize you're turning into your mother, which maybe isn't the worst thing, but still. Overheard
Wednesday, August 06, 2008 8:52:28 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, July 30, 2008
Word on Pastel Workshop
Posted by sarah
The Appalachian Pastel Society (APS) has added a second workshop to artist Margaret Dyer's agenda: "Due to the strong response we've received for the Oct 4th-6th workshop, we're offering a second workshop. The second workshop will be in the same place (NC Ag Center in Fletcher, NC), and will take place October 8th-10th. This workshop is limited to 18 artists, and those on the waiting list from the earlier workshop will be given places first. Don't delay your registration if you're interested." Check out the APS website for more details. Angela in the Pink Chair (19x25) by Margaret Dyer Overheard
Wednesday, July 30, 2008 2:04:08 PM (GMT Daylight Time, UTC+01:00)
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 Monday, July 28, 2008
Art Reality Show to Air on Bravo
Posted by jessica
 Update on Sarah Jessica Parker’s art reality show: Parker’s show, with the working title, “American Artist,” will debut this year on cable television channel Bravo. Here’s what the station has to say about the series: “ ‘American Artist’ will bring together aspiring artists to compete for a gallery show, a cash prize and a sponsored national tour. In each episode, contestants will create unique works of art highlighting art's role in everyday life, while they compete and create in a range of disciplines including sculpture, painting, photography and industrial design (to name a few). In working beyond their preferred mediums, artists will have to adapt quickly to changes in order to succeed. Completed works of art will be appraised by a panel of top art world figures including fellow artists, gallerists, collectors, curators and critics. The finalists' work will be showcased in a nation-wide museum tour.” Overheard
Monday, July 28, 2008 3:33:06 PM (GMT Daylight Time, UTC+01:00)
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 Friday, July 11, 2008
Riding the Pastel Wave
Posted by jessica
Overheard | Tips and Techniques
Friday, July 11, 2008 4:07:28 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, July 10, 2008
Freeze Frame
Posted by sarah
Watch more than 200 people freeze on cue in New York City's Grand Central Station and experience something akin to what I experience when I'm served regular coffee instead of decaf: I'm moving and everyone else is standing still. My favorite part of this film is the level of committment the "frozen" people demonstrate, some of them balancing on a toe or arranged in heated conversation over maps. This group ( Improv Everywhere) has also staged such "missions" as the No Pants Subway Ride, the Best Buy uniform prank, and the U2 Rooftop Hoax. Check out their site to see images and video of their work.
Art Inspiration | Overheard
Thursday, July 10, 2008 1:47:48 PM (GMT Daylight Time, UTC+01:00)
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 Monday, July 07, 2008
Mark Leach: In Memorium
Posted by anne
 A sad bit of news came to me today by way of our contributing writer in the U.K., Ken Gofton. He'd received a call over the weekend with the news that artist Mark Leach had died suddenly on Friday. Ken says, "I've only known him for the last couple of years ... but he was a really nice guy, always willing to help, and of course he was a very talented artist." Mark worked in pastel to create primarily landscapes of some of Europe's loveliest locations—Venice, Provence, Paris and his own English countryside. He favored a vibrant palette and expressive style (as seen in Roquebrune III, at left) and won many honors. Most recently, he was awarded this year's Orange Street Gallery prize at the 109th exhibition of the Pastel Society UK, an organization in which Mark was very active, serving as both treasurer and president-elect. We were introduced to the artist in 2007 as the author of the new book, Raw Colour and we quickly planned a feature for the magazine, which appeared in the 2007 June issue. If you'd like to learn more about this talented artist, you can find a PDF of that article on our website by clicking here. Overheard
Monday, July 07, 2008 8:48:03 PM (GMT Daylight Time, UTC+01:00)
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 Friday, June 27, 2008
Online Pastel Demo with Deborah Secor
Posted by jessica
 Pastel artist Deborah Secor, one of our beloved regular contributors at The Pastel Journal—and an artist on the ArtistsNetwork.tv workshop lineup—is typically the one showcasing an artist’s work, as she recently did with Marc Hanson in the August issue (which is now on its way out to subscribers). Now it’s our turn to display some of Deborah’s work: a demonstration of a stunning sky at sunset ( Molten Moment (12x18)). Click here to see the demo, and look for the August issue on newsstands July 15. Overheard | Tips and Techniques
Friday, June 27, 2008 3:50:14 PM (GMT Daylight Time, UTC+01:00)
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 Monday, June 16, 2008
Four Prize-Winning Pastels for Your Edification
Posted by sarah
It's been our pleasure as Ohioans (and pastel enthusiasts) to draw your attention to International Association of Pastel Societies's (IAPS) Eleventh Juried Exhibition at The Butler Institute of American Art in Youngstown, Ohio. We're currently plotting an escape from the offices (shhhhh) to see this show and others in the area. Maybe we'll see you there? In any case, here are four more of the fabulous winners. Enjoy! (Thanks to Maggie Price for the skinny.) Prix de Pastel: Painting Projects by Sharon Will
Gold Award: Reed Crecent by Richard Lundgen

Silver Award: Mandarins and Morning Glories by Claudia Seymour
Bronze Award: Blue Motorcyle by J Kay Gordon
Overheard | Shows and Events
Monday, June 16, 2008 7:52:37 PM (GMT Daylight Time, UTC+01:00)
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 Friday, June 13, 2008
Instant Art Critique Phrase Generator
Posted by jessica
 Here’s a fun site for your Friday: The Instant Art Critique Phrase Generator. No longer will you rack your noggin trying to come up with something insightful—or perplexing—for your peer critique group. Just plug in any 5-number combination, and in seconds the generator will reveal your, um, “observation.” Here are a few generated for yours truly: “I'm surprised that no one's mentioned yet that the mechanical mark-making of the negative space seems very disturbing in light of the eloquence of these pieces.”
“I agree/disagree with some of the things that have just been said, but the reductive quality of the sexual signifier endangers the devious simplicity of the eloquence of these pieces.”
“It should be added that the optical suggestions of the spatial relationships endangers the devious simplicity of the remarkable handling of light.”
*Thanks to Deborah Secor for passing along the link! Art Inspiration | Overheard
Friday, June 13, 2008 3:17:03 PM (GMT Daylight Time, UTC+01:00)
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 Friday, June 06, 2008
Pastel News for Your Quiet Afternoon
Posted by sarah
Here's a little positive pastel news for your Friday afternoon: San Jose artist Terri Ford has won the Best Pastel Award at the 15th Annual Carmel Art Festival’s Plein Air Event. The winning painting, Carmel Dusk (above) was inspired by Ford's affinity for the Carmel landscape, the sand dunes at Carmel Beach in particular. “The dunes are most captivating to me in early morning and at dusk when the play of light and shadows is most magical,” she says. (Ford was our December 2006 cover artist.) Overheard
Friday, June 06, 2008 6:28:36 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, June 04, 2008
Degas Pastel Society to be Honored in France
Posted by anne
 Congratulations to the Degas Pastel Society for being invited by the oldest pastel society in existence, the Pastel Society of France, to be the guest of honor at its International Pastel Festival this summer. Held in Feytiat, France (July 5 through September 7), the festival attracts more than 20,000 people. Ten Degas Pastel Society members in the New Orleans area—including Alan Flattmann, Marcia Holmes, Darlene Johnson and Ed Dyer—were asked to submit two pastel paintings each for the exhibition. As the program says, “The Societe des Pastellistes de France pays homage to these American artists of Louisiana, who still preciously preserve the French district of New Orleans and who chose Degas as their emblem.” Our thanks to Flattmann for sharing the good news. Have any announcements of your own? Let us know by e-mailing pjedit@fwpubs.com and you could see the news here. Overheard | Shows and Events
Wednesday, June 04, 2008 2:11:03 PM (GMT Daylight Time, UTC+01:00)
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 Monday, June 02, 2008
Glenna Hartmann, Remembered
Posted by anne
 Pastel artist Glenna Hartmann, a beautiful plein air landscape painter, passed away last week. She was an inspiration to many and will be very much missed in the pastel community especially (See artist Richard McKinley's tribute to his friend on the Pastel Pointers blog here). Ellen Easton, who represented the artist in her Easton Gallery in Santa Barbara, Calif., graciously shared her obituary with me. I'll print it here in full. A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. [John Keats] Born in Morristown, N.J., in 1948, Glenna Hartmann, the daughter of Erhard Hartmann (a scientist involved in the top-secret nuclear submarine project), studied mathematics and physics at Wells College in New York. Answering the call of her adventurous spirit, she transferred to the Pennsylvania Academy of Fine Arts where she was awarded a Schiedt traveling scholarship for independent studies in Europe and mural painting school in San Miguel de Allende, Mexico. When she moved to Carpinteria in the 1970s, her mural painting skills were put to use in the high school and at city hall. For a period of time she concentrated on painting animal portraits in pastel and gradually moved to painting the landscape on location. In her twenties, she battled Hodgkin's lymphoma. After that, her strong spirit willed her often-frail body to amazing feats of achievement. She and her former husband, Albert Stevens, spent considerable time exploring Baja California. Their many whale encounters and experiences diving with dolphins inspired Glenna to paint numerous large paintings of marine mammals, including a collaboration with fellow Oak Group member, John Iwerks, on a mural for remote Santa Barbara Island.
In 1987 Glenna was invited to join the fledgling Oak Group. She quickly became an indispensable force helping the group fly and then soar. She joined many other groups and participated in invitational trips that took her to the Forbes' Chateau de Balleroy in Normandy, a rafting trip in the Grand Canyon and to many other places, but her passion and commitment remained with the Oak Group and their causes. Of particular importance to her was the collaboration with the Nature Conservancy’s Santa Cruz Island project. She conceived the audacious idea of having a yearly art show on the island’s main ranch to benefit the island and its creatures. Glenna enjoyed painting the historic ranchos and remote ranchlands of Santa Barbara and Marin counties; she also collaborated closely with her good friend Ellen Easton in the realization of a series of books published by the Easton Gallery, where her work was represented for 18 years. Many of Glenna’s painting adventures culminated in important shows and sometimes in national art magazine articles. Ray Strong called her the most fully realized painter in California. Despite her many accomplishments and recognition she remained unassuming, warm and accessible. She was down to earth and enjoyed simple pleasures. Through the years she loved her many pets, including the pair of geese that used to fly behind her as she ran down a hill behind her house. She always looked forward to her weekly outings to the movies with her beloved brother Robert of Santa Barbara. Her brother and her mother, Norma Jean Hartmann of New Jersey, survive her.
A memorial service for Glenna will be held sometime in the near future, its date and location to be announced in this paper [The Santa Barbara News-Press]. It is requested that in lieu of flowers donations be made to the Nature Conservancy’s Santa Cruz Island Project [Santa Cruz Island Preserve. 3639 Harbor Blvd., Suite 201. Ventura, CA 93001]. Glenna leaves us in her paintings many things of beauty that “will never pass into nothingness.”
If you aren't familiar with Glenna's work, I am happy to be able to share some of it with you here (from the top): Approaching Storm (20x17), Estuary Cliffs (17x12) and Sunlit Cliffs (14x18). You can also find a feature on the artist in the July/August issue of the magazine, which is still available for purchase here.
Art Inspiration | Overheard
Monday, June 02, 2008 9:35:22 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, May 28, 2008
Concerned About the Copyright Controversy?
Posted by sarah
 Have you been confused by the recent flurry of debate surrounding the Orphan Works Act of 2008? The legislation may have a significant impact on artists but the specific ramifications are somewhat unclear, which is why it's important to get a good sense of the matter from a legal perspective. Our sister publication, The Artist's Magazine, has commissioned several attorneys to address the controversy on our website: "There appear to be strong feelings about orphan work legislation based
on misinformation, a lack of understanding of the proposed laws or a
fear of change. Alarmists have incorrectly stated that the orphan works
bills would deprive copyright owners of their rights or force creative
people to register their works with the Copyright Office. Others have
characterized the proposed legislation as confiscatory and aimed at
depriving copyright owners of their ability to obtain fair compensation
for the uses of their works. None of these positions is accurate,
though the legislation does have practical problems." Read the entire article (by
Leonard D. DuBoff and Christy O. King) here. And read The New York Times' "Little Orphan Artworks" here. (Thanks to Grace Dobush for the legwork.) Overheard
Wednesday, May 28, 2008 2:46:20 PM (GMT Daylight Time, UTC+01:00)
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 Friday, May 23, 2008
The Scream Is Back
Posted by jessica
Two years and nine days after they were burgled from the Munch Museum in Oslo, Norway, Edvard Munch’s paintings, The Scream and Madonna are now back on display. Although it was damaged from its thefts’ careless handling, the abstract expressionist Scream appears to have been restored to good condition, which is what the exhibition, Scream and Madonna Revisited will focus on. Click here for the story from BBC. Overheard
Friday, May 23, 2008 9:31:36 PM (GMT Daylight Time, UTC+01:00)
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 Friday, May 16, 2008
April Creative Spark Winner
Posted by jessica
 In the April issue of the magazine ("Creative Spark," in the Art Matters column), pastel artist Carole Katchen offered readers a Creative Spark challenge: "Take some time off, even if only long enough to walk around a park or visit a farmers' market—and let your surroundings inspire your work." We invited readers to e-mail us with their travel-inspired pastels. We received our largest response to date: more than 100 submissions! Congratulations to Julie Deane, of Gainesville, Ga., for her winning piece, Reverence (at right). “During a music and praise session one evening [on a mission trip to Peru]," the artist writes, "the man in the foreground of the painting came into the church and stood next to me. He was obviously very weary, but he stood for hours that night, worshipping quietly. The scene was a highlight of my trip." Deane won $150 worth of PanPastel colors and tools—many thanks to Colorfin for their generosity! Other favorite submissions included: (below, top row) Nature’s Cathedral by Cecilia E. Baker, of Ridgeland, Miss., and Karen Ann Patton’s Along the Ormond Loop; (second row) Grand Indeed, by Sandy Byers; (bottom row) The Grid by Trish Callaghan, of Murwillumbah, Northern New South Wales, Australia, and Lamar Valley, by Lisa Sheppard, of Westminster, Md. 
Thanks to everyone who participated in our challenge. You’ll find the next challenge
in the June issue, which is now available on newsstands. The winner of
that challenge will receive $200 toward the purchase of a Heilman
pastel box! Art Inspiration | Overheard
Friday, May 16, 2008 4:01:09 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, May 14, 2008
Introducing ArtistsNetwork.tv
Posted by sarah
 We've been busy little bees behind the
scenes for months, arranging the production of a wonderful new tool for
artists: ArtistsNetwork.tv
ArtistsNetwork.tv was launched today
to provide online instructional videos from leading contemporary
artists. The videos are streamed to ArtistsNetwork.tv members so that
they can be viewed 24/7 from any computer with a high-speed internet
connection without requiring software downloads. You can choose to
subscribe to any of our individual workshops for a six-month period or
you can subscribe to all ArtistsNetwork.tv video workshops for
a six-month period.
Check it out. Right now you can watch free previews, sign up and get a
free gift (Paul Dorrell's "How to Market Your Art"), or get unlimited
videos for six months. All in all, it's very exciting news for all of
us here at F+W Publications. We've been chomping at the bit to tell you about it. And by the way, if you're wondering where the pastel demonstrations are, stay tuned. We'll be rolling out new offerings every month, including pastel-exclusive material.
Art Inspiration | Overheard | Shows and Events | Tips and Techniques | Tools and Materials
Wednesday, May 14, 2008 8:22:46 PM (GMT Daylight Time, UTC+01:00)
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 Friday, May 09, 2008
We Are One!
Posted by jessica
Overheard
Friday, May 09, 2008 9:45:55 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, May 07, 2008
Go Speedpainter Go
Posted by sarah
Looking for a way to rejuvenate your painting process? Try putting yourself on the clock. Force yourself to complete a painting in one session, for example, or take it to extremes like the artist featured in this video. He completes an entire work in spraypaint, in less than one minute. We might advise you not to try this at home, unless you have a supply of drop cloths at the ready. This may be the one painting process more messy than painting with pastels.
Art Inspiration | Overheard | Tips and Techniques
Wednesday, May 07, 2008 5:46:30 PM (GMT Daylight Time, UTC+01:00)
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 Friday, April 25, 2008
Oil Paints' Real Origins Revealed
Posted by jessica
Detail from one of the paintingsContrary to popular belief, oil paintings weren’t first created by Europeans in the 15th century, but rather Asians, and in the 5th to 9th centuries—according to works discovered in caves behind the two Taliban-destroyed Buddah sculptures in Bamiyan, Afghanistan. The European Synchrotron Radiation Facility suspects the paint was made of walnuts or poppies, says the BBC, which isn’t surprising, as natural pigments have been used for coloring since the prehistoric era. For more tidbits on the origin of pigments, read this. Overheard
Friday, April 25, 2008 10:08:40 PM (GMT Daylight Time, UTC+01:00)
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 Friday, April 18, 2008
'Grate' Public Art
Posted by jessica
While in Manhattan two weeks ago, I read a most intriguing New York Post story, which has since been reported by various outlets, including NPR. Joshua Allen Harris, a Brooklyn artist and student at the School of Visual Arts, has created unique street sculptures known as “subway bears”—plastic bags tied together and then to subway grates in such a way that when a train roars by underground, the polar bear-looking assemblage of bags slowly rises to a stance, somewhat resembling a barking dog, and then lays back down to rest. Sadly, I never happened upon any of these bears—which is surprising, considering our many, many subway rides. How do I know what the bears look like? I found a YouTube video, natch. Guess that’s one way to recycle plastic shopping bags!
Overheard
Friday, April 18, 2008 4:23:49 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, April 16, 2008
The Appalachian Pastel Society Says
Posted by sarah
 As previously reported on the blog, The Appalachian Pastel Society (APS) has announced it's 2007 exhibition winners: Ella Maguire Memorial Award winner, Irma P. Webb's Country Lady, is pictured here. The APS has now announced its call for entries to next year's exhibition, for which Margaret Dyer will serve as juror. Best of Show will recieve $1,000 and other prizes will include cash awards for top winners, pastel sets and other items donated by pastel product suppliers. The opening reception will take place October 3, 2008 and the show runs through November 22, 2008 at the Gallery of the Arts Council of Henderson County, in Hendersonville, NC. The deadline for CD entries is August 1st, 2008. A prospectus for the exhibition will appear on the APS website soon. Want to see your pastel society's news up in lights (so to speak)? Send the skinny to pjedit@fwpubs.com and include web-ready digital images at no more than 72 dpi. Overheard | Shows and Events
Wednesday, April 16, 2008 1:56:14 PM (GMT Daylight Time, UTC+01:00)
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 Friday, April 11, 2008
Upcoming Pastel Invitational
Posted by jessica
 So much to see in Denver, Colo., right now! Next Friday Denver residents will have a great opportunity to see works by artists featured in The Pastel Journal. Abend Gallery opens its Pastel Invitational (April 18-May 10), an exhibition featuring paintings by Deborah Bays, Dan Beck, Doug Dawson, Ernie Gallegos, Bruce A. Gomez, Desmond O’Hagan, Ramon Kelly, Connie Renner, Elizabeth Sandia and Clive R. Tyler. An opening reception will be held April 18 from 5-9 p.m. As ever, if you get to stop by the show, let us know about it! Pictured: Pronghorn Summit (30x33) by Clive R. Tyler Overheard | Shows and Events
Friday, April 11, 2008 8:13:56 PM (GMT Daylight Time, UTC+01:00)
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 Friday, April 04, 2008
Juried Pastel Exhibition
Posted by sarah
 Is it that time of year again? The Southeastern Pastel Society will host its 2008 International Juried Exhibition, June 12-August 10, 2008, at Oglethorpe University Museum of Art, in Atlanta, Georgia. This year's show will be juried by Bill Hosner, who will also teach a workshop. For more information, visit the society's website. Incidentally, Hosner was our cover artist for the February 2008 issue. Pick up the back issue to read about the challenges of painting the figure en plein air, if you're not a subscriber. If you'd like to see your society's news on our blog, send us an e-mail. Sunflower Tango by Marsha Savage Overheard | Shows and Events
Friday, April 04, 2008 2:30:22 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, April 02, 2008
National Poetry Month
Posted by jessica
"It would be tragic not to realize the extent of man’s dependence on the arts."—Wallace Stevens, "Relations Between Poetry and Painting"
Because most varieties of art inform and cross-reference each other—visual artists, for example, typically have other creative passions like gardening, classical guitar, writing—this month we celebrate National Poetry Month. Check the Academy of American Poets’ website for NPM events and celebrations. Coming up April 17 is Poem in Your Pocket Day. The Academy of American Poets has some great resources on its site, including a National Poetry Almanac that devotes a section to Poetry and Art. My favorite subject within this category is visual art’s (more specifically, Picasso’s) influence on Gertrude Stein. A friend of Picasso’s, and ever the experimental writer, Stein forayed into "verbal Cubism" in her 1914 book, Tender Buttons—poems modeled after visual effects she observed in the artist’s paintings. Art Inspiration | Overheard
Wednesday, April 02, 2008 3:51:11 PM (GMT Daylight Time, UTC+01:00)
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 Friday, March 28, 2008
Inspiring Impressionism in Colorado
Posted by jessica
Through May 25, the Denver Museum of Art features Inspiring Impressionism, an exhibition of 100 works by Impressionist painters that examines the ways they were inspired by their Old Master predecessors—for example, looking at Putto next to Paul Cézanne’s Still Life with Stauette. Other artists and their influences include: Claude Monet and Meindert Hobbema; Camille Pissarro and Jean-Siméon Chardin; Mary Cassatt and Jean-Honoré Fragonard, and more. Check the museum’s website for details about the show, and a cool timeline that connects the Impressionists to the Old Masters. Art Inspiration | Overheard | Shows and Events
Friday, March 28, 2008 3:09:24 PM (GMT Standard Time, UTC+00:00)
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 Friday, March 21, 2008
A Large Slice of Monet
Posted by jessica
 If your plans find you in New Mexico next weekend, here’s something you might want to see: On March 29 (1-5 p.m. in Los Alamos, New Mexico), Karen West and Santa Fe artist Ke’vin Bowers will unveil Bowers’ newest work, A Slice of Monet—the largest pastel Bowers has created—which was commissioned by West. Here’s the story on its origins, according to the two: “Ke’vin met Karen in October of 2007 at an Arts and Crafts fair in Los Alamos, where they began talking about his creating a work of art that would fill her 14 ft high wall. Her love of Monet’s water lilies was the beginning of a conversation that led to the commission. Karen had been admiring Ke’vin’s water lily series that Ke’vin had been working on. “After several months of work, going up and down the scaffolding, A Slice of Monet was finally completed. For protection, it was covered with a piece of Plexiglas measuring 126x54 inches. It took three people to install the piece on the wall of Karen’s home; they stood back and gazed with great satisfaction: It definitely fills the wall and room making a dramatic statement. “Ke’vin video taped the time spent working on A Slice of Monet and plans to make a DVD showing the whole artistic process.” Check out more of his process on his website. Overheard | Shows and Events
Friday, March 21, 2008 8:35:04 PM (GMT Standard Time, UTC+00:00)
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 Monday, March 17, 2008
Need-To-Know Pastel News
Posted by sarah
 Our good friend and recent contributor (see the February 2008 issue) Jimmy Wright has written with some exciting Pastel Society of America (PSA) news. We'll let him take it from here: "I thought a timely Blog entry would be the announcement of the recipients of Pastel Society of America's highest honors Hall of Fame Honoree & Friends of Pastel Award for 2008: The big news is that Doug Dawson has been named Hall of Fame Honoree for 2008. A selection of works by the PSA Signature member and Master Pastelist will be on view during the 36th Annual Exhibition. A renowned teacher, Dawson has participated in more than 20 museum exhibitions. "Well-known advocates of pastel and founders of The Pastel Journal, Maggie Price and Janie Hutchinson, will receive the Society’s Friends of Pastel Award. Maggie Price will be teaching a workshop during the exhibition.
"The prospectus for the PSA 36th Annual "Pastels Only" Exhibition is hot off the press and will soon be in the mail to hundreds of artists. It will also be available for download on the PSA web site. All the details for entering the show are detailed in the prospectus. The 2008 exhibition will open September 5, 2008, in the historic Bernhard Gallery of the National Arts Club in New York City."
Much thanks to Wright for the skinny. As it happens, I'm currently editing a feature Dawson has written for the August issue of the magazine. Look for it on newsstands July 15, 2008. Featured above: In the Gentle Light of the Window by Doug Dawson Overheard | Shows and Events
Monday, March 17, 2008 1:01:07 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, March 05, 2008
Cross Pollination
Posted by sarah
 You've seen our new site, right? And you've noticed that we're teaming up with two other fine art magazines, right? What can this union bring to us? Here are just a few things you might want to check out this afternoon: 1. Find out what copyright law means to artists with this free downloadable guide. You can't afford to miss it. 2. Check out artist Greg Albert's critique of a pastel painting and find out how you can have your own work critiqued. 3. Watch a slide show that takes you inside the studio of renowned still life painter Jeanette Pasin Sloan. 4. Watch a PanPastel demo here. And then check out a whole heap of product reviews here. 5. Find out how to avoid Internet art scams here. 6. Do an art-inspired crossword puzzle and then look at all the answers. Art Inspiration | Overheard | Tips and Techniques | Tools and Materials
Wednesday, March 05, 2008 9:01:13 PM (GMT Standard Time, UTC+00:00)
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 Monday, March 03, 2008
Lights, Camera, Paintbrush, Action
Posted by anne
 The F+W fine art magazine team has an exciting new project in the works—a series of e-workshops with fabulous artists in a variety of media. The very first shoot took place last week here in Cincinnati, and several of my fellow fine art editors and I got to be there to watch oil and pastel artist, M. Katherine Hurley, a recent cover artist for The Artist's Magazine, and watercolor genius Stephen Quiller demonstrate their extraordinary skills. (See Stephen in action in the photo at left. Also pictured is Karyn Meyer, lead administrator for WetCanvas! and coordinator of the ArtistsNetworkTV project.) The filming took place in Hurley's beautiful seventh-floor studio (huff, puff) in Cincinnati's Pendleton Art Center, where both artists created material for two 30- to 45-minute videos. Whether or not you paint in oil or watercolor, pastel or acrylic, there is so much to learn from different artists about composition and color, value and shape, and other vital art fundamentals. Both artists were a pleasure to meet and fun to watch. I can't wait to see the finished videos, which will hopefully be on the market later this spring! Stay tuned for further details.  Some of Hurley's pastels Overheard
Monday, March 03, 2008 10:33:39 PM (GMT Standard Time, UTC+00:00)
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 Friday, February 29, 2008
Extreme Plein Air Pastels
Posted by jessica
While cleaning out my inbox—a task that has filled up most of the morning—I came across some cool images I received several months ago from plein-air painter D.F. Gray, who served as a panelist in Deborah Secor’s Special Report for our April issue (“ The Best Bang for Your Buck,” on page 78). Ship Points September 8th (28x38) The report focused on smart investments for artists, and Gray’s item of choice was his Olympus C-5060 Wide Zoom digital camera. The artist uses the camera not only for reference images, but also for the benefit of clients. Whenever someone purchases one of Gray’s paintings, he or she also gets a photo card of the work and a CD containing the photos shot the day it was created—“to show them the flavor of the day their pastel was painted,” Gray says. Here are some images from Gray painting on a dramatic day at Ships Point in the Gulf of Georgia on Sept. 8, 2007. As he explained in an e-mail, “The day started out blue with scattered clouds depicted in the pastel, but ended up dark and threatening.”  The start of the piece  Gray working  The sky just a few shades deeper than in the beginning Overheard
Friday, February 29, 2008 4:51:38 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, February 27, 2008
Pastel Confessions
Posted by sarah
While trolling around the web today for art news and ruminations (as I am wont to do), I realized I was due for a visit to Maggie Price's site. After all, she's a TPJ co-founder and a regular contributor to both the blog and the magazine and we just love her. Those of you who are wondering what Maggie has been up to lately can visit her site and find out about her recent painting trip to Spain, or the tricks she sometimes plays on herself to get back into the studio, or the workshops she's teaching. But of interest to me today is her recent work as the editor of Confessions of a Brush Peddler, an autobiography by Jack Richeson. From what we hear, it's a real page turner, and we're anxious to get our copy here at TPJ world headquarters.
Here's Maggie's blurb on the book: Maggie Price is the editor of Confessions of a Brush Peddler,
an autobiography by Jack Richeson. From his humble beginnings on the
streets of Chicago to positions of power and influence, Jack Richeson
chronicles his own growing-up years along with the growth of an
industry. It's a history of a way of life that's vanished--of changes
that eliminated entire professions, illustrators, graphic artists,
layout specialists and typographers. And it's a fascinating account of
the gritty streets of Chicago and a tough little Irish kid who fought
his way out of the slums and up the corporate ladder. Anyone who was
even peripherally involved in commercial, graphic or fine arts in the
last fifty years will find this an interesting record; anyone who just
likes a good story about the battles and triumphs of life will enjoy it
as well. Read any good art books lately? We're in the process of putting together a summer reading list for the June issue of the magazine and we'd love to hear your suggestions. E-mail us at pjedit@fwpubs.com Art Inspiration | Overheard
Wednesday, February 27, 2008 3:17:58 PM (GMT Standard Time, UTC+00:00)
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 Friday, February 22, 2008
Pastel Society UK Annual Exhibition
Posted by jessica
 The Pastel Society UK—whose members have included James Abbott McNeill Whistler, Edgar Degas and, more recently, Paula Rego and Mark Leach—holds its 109th annual exhibition March 5-16 at the Mall Galleries in London. A renowned event, this year’s show features work by invited artist Kenneth Draper, plus pastel paintings by members as well as nonmembers. You might remember reading about the 108th annual exhibition in our April 2007 issue (“Pastels Across the Pond,” by Ken Gofton). Other events of note during the exhibition include pastel workshops led by society members: 10:30 a.m.-4:30 p.m. March 6, 7, 8, 9, 12, 14, 15 and 16. The fee is £45, or around $86, per day. Pictured: Chichester Cathedral From Hoe Farm (30x37) by Mark Leach Overheard | Shows and Events
Friday, February 22, 2008 3:40:18 PM (GMT Standard Time, UTC+00:00)
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 Friday, February 15, 2008
Art Theft of the Century?
Posted by jessica
 Cézanne, Degas, van Gogh, Monet—could one go for bigger artists’ works to steal? In case you missed it, four legendary Impressionist works disappeared from the E.G. Bührle Collection in Zurich, Switzerland—in about 3 minutes—on Feb. 10, according to the BBC, NPR, New York Times, swissinfo. The estimated loss is $163.2 million, making the unfortunate event one of the biggest art heists the world has seen in 20 years. The stolen paintings are: Poppies near Vetheuil, by Claude Monet (1879); Count Lepic and his Daughters, by Edgar Degas (1871); Chestnut in Bloom, by Vincent van Gogh (1890); and Boy in a Red Jacket, by Paul Cézanne (1888). Click here for a virtual tour of the room where the four paintings used to hang. UPDATE (2/20/08): Two paintings have been recovered. Read more from NPR. Overheard
Friday, February 15, 2008 5:17:16 PM (GMT Standard Time, UTC+00:00)
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 Thursday, February 07, 2008
Come and See the Sites
Posted by anne
Our new website is now live, and I invite you—if you haven't already—to come for a visit. Before you do, take a moment to bookmark the new URL for The Pastel Journal homepage which is http://www.artistsnetwork.com/pasteljournal. While you're at it, bookmark the new URL for The Pastel Journal blog too, which is http://pastelblog.artistsnetwork.com. The Pastel Journal homepage will be your easiest path to finding out what's new on the site for pastel artists, but you can also search articles by pastel under the drop-down list of media. Note too that each image in the visual slideshow is a live link to an article, gallery, current issue or video. When you look around, you'll soon discover that The Pastel Journal site is only one
neighborhood in a larger community for fine artists, because the new site combines our content with that of our sister magazines, Watercolor Artist and The Artist's Magazine,
and you're sure to find a lot to inspire and inform from these
publications as well. A few hints: Anytime you click the magazine logos at the
upper-left of a page, you'll
return to the main page for this larger Artist's Network with content from all three publications. But, any time you want to return to The Pastel Journal home page, click the magazine title in the very top right of any page on the site.
It may feel at first like you're driving through unfamiliar territory, but we hope you'll take the time to look around and get
acquainted. And then, ya'll come back now, ya hear? Overheard
Thursday, February 07, 2008 3:29:11 PM (GMT Standard Time, UTC+00:00)
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 Monday, February 04, 2008
Preparing for Launch
Posted by anne
Apparently, NASA has begun the
official countdown for a February 7 liftoff of the space shuttle Atlantis. With a little less hoopla, The Pastel Journal is also preparing a launch. We won't be heading to the International Space Station; we're just heading out onto the World Wide Web with a brand-new and much improved website! The new site combines the forces of our sister publications The Artist's Magazine, Watercolor Artist with The Pastel Journal to create a rich and dynamic site for fine artists of all kinds. You can search articles by magazine title, by medium and by genre, so it should be very easy to get to what you want. We'd like to give you, our blog readers, a sneak preview. Click here to visit the site and then take our short survey to let us know what you think. We're expecting some bugs in the beginning, so use the survey to let us know what they are, and we'll let "Houston" know we've got a problem! Overheard
Monday, February 04, 2008 10:39:41 PM (GMT Standard Time, UTC+00:00)
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Sarah Jessica Parker Shops Art Reality Show
Posted by jessica
 Rumor has it that Sarah Jessica Parker is pitching a reality show involving visual artists a la Bravo’s Project Runway. The scoop, according to NY Daily News, is that the program—a collaborative effort by Pretty Matches (Parker’s production company) and Magical Elves ( Project Runway, Top Chef)—will include creative challenges between artists across different media and feature a panel of prominent critics. To be fair, I am a fan of Runway, although I never got to see the 2006 series Artstar—which, from what I’ve read, sounds similar. Did anyone catch it? What are your thoughts on reality TV reaching the art world? Overheard
Monday, February 04, 2008 9:57:20 PM (GMT Standard Time, UTC+00:00)
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 Thursday, January 24, 2008
More Pastel Society News
Posted by jessica
 Congratulations to William A. Schneider, one of our featured artists in the February issue. His painting, Third Floor Studio (at right), recently earned the Jack Richeson & Co./Pastel Society of America/The Pastel Journal Award at the Pastel Society of New Mexico’s 16th annual national exhibition. The jurors were Alan Flattmann, Paula Lawson and Maggie Muchmore, and Duane Wakeham served as judge. Schneider says the painting was created during an open studio session at the Palette & Chisel Academy of Fine Arts. "I was intrigued by the model's contemplative mood and the dramatic backlighting,” he says. “What was she thinking about?" Overheard
Thursday, January 24, 2008 6:32:38 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, January 23, 2008
A Pastel Journal Exclusive: On the Scene at MoMA
Posted by Sarah
If you haven't already seen it, there's still plenty of time to catch Lucian Freud: The Painter's Etchings at MoMA. The show runs through March 10, 2008 and promises to be a once-in-a-lifetime experience. Freud, grandson of the psychoanalyst Sigmund Freud, is known as one of the foremost figurative artists working today. Visitors to the exhibition will be treated to a rare sampling of the artist's etchings, which play an important role in his artistic life.
Visit an exceptional online version of the exhibition here. And read a first-hand account of the show from our own artist-on-the-scene, Group Publisher, David Pyle: The Lucian Freud show is a stunner. One of those rare shows that leaves you with an altered and shifted sense of self. I felt like I’d been given some kind of ‘hyper-clarity’ drug after being immersed in Freud’s portraits, and was, somehow, seeing other people in the museum, not as faceless passersby (which we all do in an people-packed environment), but as fascinating subjects of portraits themselves. I found myself staring at everyone, feeling as if I could unravel their pasts through their faces. Extraordinary and more that a little overwhelming - it’s quite challenge trying to grasp the stories of every visitor to a major museum on a Saturday afternoon in Manhattan. Not to mention irritating for all those that were subjected to my stare as they passed within my hyper-clarity sphere!
Photo courtesy of David Pyle
Overheard | Shows and Events
Wednesday, January 23, 2008 5:03:55 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, January 16, 2008
A Pastel Demo for You
Posted by Sarah
Evening Light (11x14) by Maggie LathamIf you're in the mood for a little arts education, we recommend that you check out this fine pastel demonstration by a pastel artist we are quite pleased to know: Maggie Latham has posted a "Talk on Pastels" at WetCanvas! In it, she discusses techniques, materials and her own personal approach to painting. She also shares photos of her process from board prep to finished product.
You don't need to be a member of WetCanvas! to visit the demo, but you do need to be a member to participate in the discussion. If you were on the fence about joining before, now might be a good time to come on over. Latham has invited you to jump in with questions, comments or input.
I also hasten to mention that you can download a free PDF of a guide Latham wrote for our sister publication, Watercolor Artist, on using technology in the studio to produce your own giclée prints. (That's right--Latham also paints in watercolor.)
Art Inspiration | Overheard | Tips and Techniques | Tools and Materials
Wednesday, January 16, 2008 9:03:05 PM (GMT Standard Time, UTC+00:00)
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 Friday, January 11, 2008
Not Too Late in 2008: Camille Pissarro at The Jewish Museum
Posted by jessica
 There’s still time to catch Camille Pissarro: Impressions of City and Country at The Jewish Museum in New York (until Feb. 3). The show features around 50 paintings and works on paper from New York area public and private collections—everyday scenes the Impressionist artist soaked in while living and traveling in rural and urban areas. Overheard | Shows and Events
Friday, January 11, 2008 9:46:29 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, January 09, 2008
A Reminder to Park It
Posted by Sarah
 In September, we celebrated the winners of the 2007 “Paint the Parks” National Artists’ Competition and gave you a heads up on the 2008 call to entries. This is a (friendly) reminder that the deadlines are just around the corner. From the entry form: Your entry must represent any of the more than 390 areas supervised by the National Parks Service and will be judged within one of the three National Park Regions. The highest scoring painting from all entries is named the Grand Prize Winner. It, and the top 33 paintings from each of the three regions advance to the Paint the Parks100. All entries must be postmarked by May 31, 2008—No exceptions. An “early bird discount” is available if postmarked by May 1, 2008. Paint the Parks is open to all artists, anywhere in the world, professional or amateur. With a $10,000 purchase award for the Grand Prize and many other cash prizes and awards, "Paint the Parks" is one of the country’s richest art competitions. Get the full details and entry forms here. Delicate Arch (12x22) by Paul Jackson 2007 Paint the Parks Top 100
Overheard
Wednesday, January 09, 2008 1:34:56 PM (GMT Standard Time, UTC+00:00)
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 Friday, January 04, 2008
Art Caper for the Holidays
Posted by jessica
 While some of us were preparing for the holidays cleaning house and last-minute shopping, a couple of art thieves were hard at work in Brazil. On Dec. 20, within three minutes, burglars lifted from the Sao Paulo Museum of Art paintings by Pablo Picasso and Candido Portinari—both of which are uninsured, according to a museum spokesman. The robbers’ tools? A crowbar and a car jack. Click here for the story from ABC News. Update (1/9/08): The paintings have been recovered, and in perfect condition. Click here to read more on Yahoo! Update (1/21/08): Now Sao Paulo state authorities want to shut the museum down. Click here for more from CBC News. Overheard
Friday, January 04, 2008 2:43:25 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, January 02, 2008
Music to Paint By
Posted by anne

Todd Rustad, the nephew of the late pastel artist Richard C. Pionk, has created a CD of original piano music. The proceeds from CD sales will support the Richard C. Pionk Memorial Fund. The fund was set up at the Salmagundi Club, where Pionk had been president. Memorial funds will be used to promote excellence in oil and pastel art.
Sounds like a perfect way to acquire new music to paint by, honor the memory of a pastel master, and provide funds for the continuing support of pastel art! To listen to CD samples or to order a CD, visit Rustad's website. To read more about Pionk, see our earlier blog entry about his passing. Persion Vase With Pears (above; pastel, 19x25) by Richard C. Pionk
Art Inspiration | Overheard
Wednesday, January 02, 2008 2:21:10 PM (GMT Standard Time, UTC+00:00)
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 Thursday, December 13, 2007
Paula Rego at the National Museum of Women in the Arts
Posted by jessica
 You might remember artist Paula Rego from the feature in our December 2006 issue, and even if you missed it (for shame!), we thought you might be interested to know that the figurative artist will be featured in a solo exhibition at the National Museum of Women in the Arts Feb. 1-May 25—the first major U.S. exhibition of the Londoner’s work. The National Museum of Women in the Arts is the only U.S. venue for the show, which will include 25 of Rego’s narrative paintings, etchings, lithographs and drawings. We consider it a great excuse to plan a late winter trip to Washington, D.C. Overheard | Shows and Events
Thursday, December 13, 2007 7:52:13 PM (GMT Standard Time, UTC+00:00)
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 Friday, December 07, 2007
Michelangelo Sketch Found in St. Peter's
Posted by jessica
A sketch of St. Peter's dome, which is believed to be one of Michelangelo's last before his death, was discovered in the basilica's offices, according to The Boston Herald. The sketch, drawn in red chalk, was created in 1563 for stonecutters who were working on the basilica. The artist died in 1564. Overheard
Friday, December 07, 2007 2:46:42 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, December 05, 2007
And the Pastel Competition Parade Marches On
Posted by Sarah
The Pastel Society of Tampa Bay has announced the winners of its 2nd Annual Possibilities in Pastel Juried Pastel Exhibition, which will take place at The Octagon Art Center Unitarian Universalist in Clearwater, Florida, through January 9th, 2008. This year's juror was Bill Renc and the winners include Anna Wainright, Anneke Huestein and Brooke Allison. Visit the society's blog for the full details. Thanks to Virginia for the skinny. If you'd like to annouce your society's competition news, please drop us a line at pjedit@fwpubs.com. Overheard | Shows and Events
Wednesday, December 05, 2007 2:09:55 PM (GMT Standard Time, UTC+00:00)
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 Monday, December 03, 2007
Creative Spark Winner
Posted by anne
 In the December issue of the magazine, we introduced a new element, "Creative Spark," to the Art Matters column (page 9), in which pastel artist Carole Katchen provides tips and techniques for finding inpsiration and recharging our creativity. In each installment, Katchen will also offer readers a Creative Spark challenge. In this first installment, the challenge was to choose a letter of the alphabet to inspire a painting composition, and we invited readers to email us with their letter-inspired creations. We saw some terrific paintings, and today, I'm pleased to share with you our winning entry —Café Study (left; pastel, 8x10) by Marie Stanton Cardany of Stuart, Fla. Cardany's painting, created on Canson paper, used the letter "A" to inspire its composition. Cardany will receive a 39-piece set of pastels from Great American Artworks. Congratulations!  Other favorite submissions include Kimono by Mary Ann Pals, of Chesterton, Ind., in which the letter "S" leads the viewer's eye through the folds of silk and through the painting. In Two Pots, by Lynn Chapman, of Pueblo, Colo, the letters "C" and "O" take shape.  Thanks to everyone who participated in our challenge. And don't forget to look for the next Creative Spark in the Jan/Feb issue of the magazine—coming soon (on sale on newsstands January 1). The winner of that challenge will receive $150 worth of Kitty Wallis paper! Art Inspiration | Overheard
Monday, December 03, 2007 7:30:26 PM (GMT Standard Time, UTC+00:00)
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 Friday, November 16, 2007
Seeing Through the Eyes of Degas & Monet
Posted by jessica
 In our December issue you’ll find an item in the “Art Matters” column about a medical study of Edgar Degas and Claude Monet’s deteriorating eyesight and how it changed their painting styles. Here you’ll find a slideshow of how these artists viewed their subjects, based on Stanford University School of Medicine Opthamologist Michael Marmor’s study and computer simulation. Overheard
Friday, November 16, 2007 8:55:13 PM (GMT Standard Time, UTC+00:00)
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 Friday, November 09, 2007
Technical Art History and Matisse
Posted by jessica
 Scientists and curators recently discovered that not only did Matisse work from clay rather than plaster for his two sculptures, Madeline I and Madeline II, but also that he used the same ball of clay, even though they were created two years apart. According to The Baltimore Sun, this discovery was made possible by the Baltimore Museum of Art, who hired digital imaging lab Direct Dimensions to scan pieces for its exhibition “ Matisse: Painter as Sculptor,” now on display. The engineers’ laser scanning technology—used most commonly in modeling industrial parts and prostheses—re-created three-dimensional computer models of the artist’s sculptures to determine their origins. How we love it when both sides of the brain’s hemispheres synchronize. The exhibition is on display through Feb 3. Image from artbma.org Overheard
Friday, November 09, 2007 6:44:44 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, November 07, 2007
Banksy Captured
Posted by Sarah
 He's the most admired (and beloved) graffitti artist in the world, but no one knows who he is. Since his paintings began appearing in Bristol in 1993, he's managed without fail to cloak his identity, but now the BBC claims to have a photo of him. Apparently, a passerby (one who happened to know his work well) took the shot as she walked past. In an interesting twist, she now wishes to remain anonymous herself. Read an interesting piece on Banksy in The New Yorker here and visit the artist's website here. Overheard
Wednesday, November 07, 2007 8:53:47 PM (GMT Standard Time, UTC+00:00)
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 Friday, November 02, 2007
Artist Website of the Week: WhimsicalWest.com
Posted by jessica
 Our thanks goes to the Pastel Society of New Mexico for putting America’s Drawing Cowboy, Darryl Willison Jr., on our radar. Back in July, the society’s newsletter mentioned that Willison’s pastel painting, Dare to Dream, won the print competition for the 2007 Albuquerque International Balloon Fiesta (Oct. 6-14), which meant that his image would be reproduced as a serigraph print for the festival. Willison's work can be found in 13 galleries throughout the west. “I have been an artist all my life, drawing with whatever I got my hands on,” he says on his site. “I am self taught in all aspects of what I do, driven by the curiosity of the outcome.” Also on his site, he explains Dare to Dream was inspired by the color and beauty of the annual event. See what he’s talking about here, and have yourself a colorful weekend. image from whimsicalwest.com Art Inspiration | Overheard
Friday, November 02, 2007 2:13:23 PM (GMT Standard Time, UTC+00:00)
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 Wednesday, October 24, 2007
Another (Pastel Competition) Drumroll Please
Posted by Sarah
The results from the Ozark Pastel Society's annual competition are in. The exhibition was held in August at the Arts Center of the Ozarks in Springdale, Arkansas and the judge for the competition this year was Terry Ludwig. Best in Show and the top winners in each category are shown below, followed by a complete listing. Thanks to Joey for the skinny.     Best of Show Joey Frisillo, Path to the Gold
Still Life & Floral 1st Place, A Taste of Spring, Susan Edgmon 2nd, Tropicales, Julene Baker 3rd, Bouquet, Jodie Taylor HM, Apple AA Day, Vicki Ross Landscape 1st Place, Osage Hills Summer, Joey Frisillo 2nd, Nature's Showcase, Jack Hetterich 3rd, Set in Afternoon Shadows, Charles Peer HM, Spring Song, Julie Mayser Animal & Portrait 1st Place, Three Blind Mice, Julie Mayser 2nd, Doxie, Julene Baker 3rd, Molly & Oscar, Becky Gloubski HM, So Koi, Vicki Ross Miniature 1st Place, A Perfect Pear, Vicki Ross 2nd, Through the Looking Glass, Susan Edgmon 3rd, Shadow Secrets, Pam Leisenring HM, Negril, Jamaica, Allie WujcikEstablished in 1987, the Ozark Pastel Society is a regional pastel group
with members primarily from Arkansas, Missouri and Oklahoma. Overheard | Shows and Events
Wednesday, October 24, 2007 1:32:30 PM (GMT Daylight Time, UTC+01:00)
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 Friday, October 19, 2007
Art in the 21st Century
Posted by jessica
 Ah, PBS—the single upside to not having cable. Next Sunday the channel airs the fourth season of the Emmy-nominated public television series, Art:21—Art in the Twenty-First Century, so get your TiVo, DVR (or, in my case, ancient VCR) ready. Running Sunday nights Oct. 28-Nov. 18, the latest installment offers four one-hour episodes based on ideas of romance, protest, ecology and paradox, featuring 17 contemporary artists divulging their creative process. First on the lineup is “Romance,” featuring artists Laurie Simmons, Lari Pittman, Judy Pfaff and Pierre Huyghe on the role that emotion, regret, fantasy and nostalgia play in modern art. The series’ website also includes listings of season 4 artists who might have exhibitions coming your way. If you’re near Cincinnati in May, check out An-My-Lê’s gelatin silver prints at the Contemporary Arts Center. Check local listings for air times. Art Inspiration | Overheard
Friday, October 19, 2007 5:23:36 PM (GMT Daylight Time, UTC+01:00)
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 Friday, October 12, 2007
Kissing and Punching: The New Crimes of Art
Posted by jessica
Overheard
Friday, October 12, 2007 4:30:06 PM (GMT Daylight Time, UTC+01:00)
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 Monday, October 08, 2007
Maggie Price Workshop Diary: From Sunny Spain
Posted by maggie
Our eight-day workshop here in Spain is based at Hotel Bandolero in the village of Júzcar, Malaga province. Júzcar has an average population of just over 150 residents, though summer homes are sometimes occupied. It's one of the beautiful "White villages" of the Genal Valley in Andalucia; all of the buildings are painted white and most have red-tiled roofs. We spent our first day painting in the village and around the hotel. With so many subjects to choose from, we were hard-pressed to select just one or two. I painted the flowering bush on the patio by an entrance (see the painting below at left), taking advantage of the shade, as did several other painters that day (L-to-R in photo below at right: Dauna Roberts, Memorie Williams and LaDonna Escamilla).  
The next day we took the first day trip to the village of Ronda. We painted in the early morning at the bottom of the famous bridge, El Tajo. This vantage point not only gives the artist an idea of the monumental structure, but a good view of the surrounding cliffs (see my painting below). 
While in Ronda, we attended an evening performance of flamenco dancing. The lively dance is too fast even for sketching, but we were able to take photographs throughout (see one of them here), so you may see paintings of the lovely costumes in the future. 
It’s already been a wonderful experience, and there's much more to come!
Art Inspiration | Overheard
Monday, October 08, 2007 3:46:02 PM (GMT Daylight Time, UTC+01:00)
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 Friday, September 28, 2007
More PSA Notes: Tim Gaydos
Posted by jessica
 Artist and Pastel Journal contributor Robert K. Carsten recently had the pleasure of attending the Pastel Society of America’s 35th Annual Open Juried Exhibition at the National Arts Club (Sept. 7-30). Below he shares a snippet of his conversation with artist Tim Gaydos (featured in our October 2007 issue), who won the PSA’s Art Spirit Foundation, Dianne B. Bernhard Gold Medal Award for his painting, More Coffee? (at right).
“I made up this composition, More Coffee?, using two models and myself,” says Tim Gaydos. “I often use myself in my paintings, not with the intention of self portraiture, but because I’m cheap and available! I use double mirrors, both on easels. The one in front of me is a smaller one, which I can lean a little forward or backward to alter the angle of my view. The mirror in back is a larger one, maybe 4-by-5 feet, and both are wired to the easels for safety.
“The circular counter and rounded window come from my compositional sketch created at the White Manna diner in Jersey City, N.J. All of the figures, though, are changed from the sketch, as are the colors,” he says. “I’ve been painting diner scenes since about 1982, and I don’t see them as evolving so much as I do, capturing an emotion and a sense of alienation in the modern world. The figure on the right is perhaps thinking about her life, why she’s here, what she’s doing on this earth. She is in deep, if momentary, contemplation. Perhaps she’s thinking about an event in her past or yearning for a new future. The male figure, well, he’s intrigued by the daydreaming girl, while the other waitress, perhaps noticing, asks, ‘More coffee?’
“When I’m sketching in a public location such as a diner, I try to do it as anonymously as possible. Occasionally, people who have noticed me working have come up and complimented me on my drawing; I’ve never had a bad experience,” says the artist. Speaking of experiences, bringing home a PSA award is one to be remembered. “It is very, very gratifying to win this award,” he says. To read more about Tim Gaydos, his remarkable work, and his studio setup, see the October 2007 issue of The Pastel Journal. Overheard | Shows and Events
Friday, September 28, 2007 7:15:28 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, September 26, 2007
Maggie Price Workshop Diary: Italy
Posted by maggie
 Our first few days in the workshop in Cortona, Italy, have flown by. Our workshop sponsor, Patrick Mahoney combined painting locations with a taste of Tuscany. We started with a painting day in Cortona, painting the views from the Piazza Garibaldi in the morning and in a nearby park in the afternoon. Patrick makes sure we get a literal taste of Tuscany, as well, so each day features lunches and dinners at different resta  urants, which we then try to work off by hauling our painting gear up the steep cobbled streets of Cortona. Rain was threatening one day and we found an archway to paint under, which gave us a good view of the central Piazza Republica and the famous Cortona clock tower and steps, a building dating back to the 12th century. After a couple of days of painting, we took a break for a day trip to Firenze, where we walked, shopped at a couple of fascinating Italian art supply stores, and visited the Uffizi Museum. Some artists  who hadn’t previously been there, went to the Academie to see Michaelango’s David and other works, while others walked across the Ponte Vecchio to the Pitti Palace and the Boboli Gardens, for a fantastic view of Il Duomo and the city. Back in Cortona, we continued to explore new areas each day, painting in the morning and afternoon, while trying to keep up with our hectic restaurant schedule. One evening we had a cooking class at Il Refugio, a beautiful Tuscan villa outside town which also hosts workshops in addition to cooking classes. We got to get our hands  in pasta instead of pigment, and had a great time making pici pasta (pronounced “peachy,” it’s a kind of fat spaghetti noodle) for our dinner. The location was so beautiful, we’ve arranged to go back there and paint before the week is over. Art Inspiration | Overheard
Wednesday, September 26, 2007 1:59:40 PM (GMT Daylight Time, UTC+01:00)
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 Monday, September 24, 2007
Pastel Celebration in NYC
Posted by anne
 Photos are now flowing in from the September 16th awards ceremony for the Pastel Society of America's (PSA) 35th Annual Exhibition at the National Arts Club in New York City. The weekend-long celebration included a number of events beginning with a special gallery tour on Friday, an Art of Pastels Materials Fair on Saturday (see photo of Jack Richeson at the materials fair, below), and an awards ceremony and dinner celebration on Sunday. This year's special honorees were Sally Strand (shown here with artists Wende Caporale and Daniel Greene), the 2007 recipent of the PSA Hall of Fame award, and art material manufacturer Jack Richeson honored as a special friend to PSA for his continuous and energetic support of the medium and artists.  The PSA was founded in 1972 by Flora Giffuni (a featured artist in our June issue) as an organization for professional and emerging artists working in pastels. It's goal is to encourage pastel artists through classes, workshops, demonstrations, and its annual juried exhibition provides an opportunity to celebrate the best of pastel in an exciting, high-profile venue. This year's exhibition will be open to the public through September 30. Viewing hours are Monday, Wednesday, Thursday and Friday from 10am to 12 pm, and from 2pm to 5pm; Tuesdays from 3pm to 5pm; and weekends from 10am to 5pm. Stay tuned to the blog for more information about PSA exhibition award winners (and images). Photos by Brenda Mattson. Overheard | Shows and Events
Monday, September 24, 2007 4:51:20 PM (GMT Daylight Time, UTC+01:00)
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 Monday, September 17, 2007
Tired and Inspired (and a Little Hungry)
Posted by anne
Well, that's it. At 4:45 p.m. this afternoon, the TPJ editorial team viewed the last of just over 5,000 slides and digital images entered into the 9th annual Pastel 100 competition. The process began last Tuesday, when Sarah, Jessica, Cindy and myself cloistered ourselves into a dark room here in the office and—together with a slide projector and laptop, Diet Cokes, and a towering stack of slide carousels—started the process of pre-jurying thousands of works in pastel. The task always leaves us feeling a surprising mix of exhilaration and exhaustion. And this year, because we happened to keep the still life category for last, we found ourselves adding "hungry" to our condition as we were treated to a visual feast of pears, blueberries, kiwi, tea cakes, jellybeans, and even cherry cheesecake. So what happens next? Our selections will be sent to the five category jurors who'll select the top 20 winners in each of their respective categories. We'll start contacting winners in mid-October, and then we'll get to work on the March/April issue in which we present all the winning works of art (see last year's issue). Our thanks to all of you who entered. It's always inspiring to see so much skill and artistry. And, though it's
sometimes agonizing to pull out a piece that is "close, but not quite
there," it's exciting because that artist's potential feels almost
tangible.
Overheard | Shows and Events
Monday, September 17, 2007 4:10:04 PM (GMT Daylight Time, UTC+01:00)
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 Friday, September 14, 2007
Meet Me in St. Louis … for Degas
Posted by jessica
Good news for St. Louis residents and visitors: The Saint Louis Art Museum has added Degas’ 1898 oil painting, The Milliners, to its collection. This painting is the first Degas oil in the museum’s collection—SLAM has two of the artist’s pastels, three drawings, nine prints and two sculptures—and was bought for almost $10 million, according to the St. Louis Post Dispatch. Coincidentally, on the cover of our December issue you'll find Degas’ famous pastel, Four Ballerinas Resting between Scenes, from the upcoming 8 Wonders of the Pastel World feature. Look for it on newsstands Oct. 30! Overheard | Shows and Events
Friday, September 14, 2007 10:28:00 PM (GMT Daylight Time, UTC+01:00)
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 Monday, September 10, 2007
Fall Getaway: Youngstown, Ohio
Posted by anne
 I'll give you not just one, but two good reasons, to plan a trip to Youngstown, Ohio, as a fall getaway. First, opening yesterday at the city's art museum, The Butler Institute of American Art, in the Giffuni Gallery, is an exhibition of works by pastel artist Albert Handell—works like Mountain Stream (at left; pastel, 21x27). Handell was a successful and accomplished oil painter when he first gave pastels a try. The experience, in his words, was "like a fish going into water." I had the privilege of visiting the artist in his studio last May to write a feature, which you'll
find in our current issue. As I mentioned in a previous blog post, parts of the conversation can be viewed on our website video player. The exhibition, which features 46 paintings in oils and pastels from Handell's ouvre,
will continue through November 18. The museum's director Louis A. Zona
had this to say in the show catalog: "I would suggest that his
understanding of the visual elements, and his mastery over them, places
Handell within an exclusive group of living American artists." The
exibition, he goes on to say, "pays tribute to a singular talent ... whose work advances the art of pastel as it contributes
in a significant way to America's narrative art tradition." One hardly needs another reason to race to The Butler, but I've got a good one: Also showing at the museum, beginning September 21, is "Andrew Wyeth: Watercolors and Drawings," an exhibition which I had the pleasure of seeing at the Cincinnati Art Museum last winter (my follow-up story appears in the June issue). From selections drawn from the Marunuma Art Park collection in Japan, viewers get a peek "behind-the-temperas" at the voluminous drawings and studies that have informed Wyeth's masterworks. In particular, the show focuses on a three-decade period when the artist drew his inspiration from the lives and surroundings of Christina and Alvaro Olson of Cushing, Maine. Among the 114 works are several finished watercolors, as well as drawings and studies, including 10 for Christina's World, Wyeth's iconic painting done in 1948. Others may drive off to ooh and ahh at fall foliage this season, but if you really want to be awed and inspired, I'd suggest steering the car toward Youngstown instead! Art Inspiration | Overheard | Shows and Events
Monday, September 10, 2007 6:55:41 PM (GMT Daylight Time, UTC+01:00)
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 Friday, September 07, 2007
Pastel Workshop in Scotland: Day Three
Posted by Maggie
We are three days into the workshop in Scotland sponsored by Jack Richeson & Co. Our group is based in the village of Blair Atholl in Perthshire, just into the Highlands and in the center of the country. Day trips have taken us to Glamis Castle (home of the late Queen Mother), to the village of Kenmore and to a wild valley in the Highlands called the Sma’ Glen.
While
I’ve enjoyed every location, so far my favorite is the Sma’ Glen. It’s
the first time I’ve been in the Highlands when the heather is in full
bloom—a wonderful experience. Yet it’s a painting challenge, too; the
warm purples and roses of the heather-covered hills want to come
forward in the painting, while the artist wants to keep them in the
distance!
There’s nothing like being on the spot to capture the
colors, the feel and the excitement of the location. Photos just don’t
do justice to subtle variations like the colors on the underneath arch
of a bridge or the incredible variety of greens covering the hills.
Tomorrow we will paint at Blair Castle
here in our home village, which features not just the castle and
beautiful gardens but wooded areas and a wild stream. No shortage of
painting subjects—in fact, I believe I could happily paint for a month
just within walking distance of the hotel! —Maggie Price
Our guest blogger, Maggie Price, will be posting here from time to time over the next month with news from her pastel journeys abroad. Art Inspiration | Overheard
Friday, September 07, 2007 7:09:49 PM (GMT Daylight Time, UTC+01:00)
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 Friday, August 31, 2007
Washington Square Outdoor Art Exhibit
Posted by jessica
 For those of you lucky artists near NYC this Labor Day weekend, take advantage of the 77th annual Washington Square Outdoor Art Exhibit along the sidewalks of Greenwich Village. Event promoters say the juried show, held every Labor Day weekend and the weekend following, as well as Memorial Day weekend and the weekend after that, features varying media—traditional and avant-garde—from pastels, oils and watercolors to graphic art, crafts, photography and sculpture. Some artists are up-and-comers, while others are well-known in esteemed galleries and museums. The exhibit’s creation is noteworthy: According to the event’s website, it began in 1931 with Jackson Pollock and fellow artist Willem DeKooning. Desperate for rent money, they hauled their works to the sidewalk with the hope of attracting buyers. Pretty soon they caught the attention of the New York City art world—Gertrude Vanderbilt Whitney, founder of the Whitney Museum of Art, and Alfred H. Barr Jr., director of the newly established Museum of Modern Art—and the rest, as they say, is history. Enjoy your long weekend.
Photo courtesy of the Washington Square Outdoor Art Exhibit
Overheard | Shows and Events
Friday, August 31, 2007 4:07:30 PM (GMT Daylight Time, UTC+01:00)
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 Monday, August 27, 2007
Pastel Painting Around the World
Posted by anne
Maggie Price (left) was just in our offices earlier this month to teach a pastel workshop, and she's already off again to teach another. The location is a tad more exotic this time—she's heading first to a remote village in Scotland. And, following that excursion, she heads to Cortona, Italy, until September 26, to teach another group of pastelists. The final stop on her global teaching tour is Juzcar, one of the lovely white villages in Spain's Genal Valley. In each locale, Price will be leading painters on plein air exursions to capture in pastel the unique beauty of the area. I have considered stuffing myself in her suitcase (but you'll read below how she's short on space). With that idea thwarted, I have instead invited her to share with us, by way of this blog, some stories (and photos) throughout her journey. Look for these periodic posts all this month and next, starting with this pre-departure note from the artist: I love teaching workshops, especially plein air classes in beautiful locations, so I’m really looking forward to that part of the trip. But I’ll be away for almost two months, so the biggest, most immediate challenge is packing! To get ready, I’ve been sorting my pastels and other art supplies while listening to my Italian language lessons. I emptied all the pastels out of my Heilman box and washed the foam liners so I could start putting them back in with these locations in mind as I make my color selections. The light in Scotland is generally a cool light; in Italy, it’s warmer; and in Spain, it's hotter still. In the central highlands of Scotland, we’ll paint lots of landscapes, lochs, and perhaps a castle or other old buildings. In Italy and Spain, the subjects will often be buildings—warm ochre tones in Cortona (the heart of Tuscany), and white-washed buildings with red-tiled roofs in the “white villages” of Andalucian Spain. There will be wonderful masses of flowers and foliage everywhere, so I’m taking a good assortment of greens, and pinks, purples, reds and near-whites for blossoms.
Fortunately, for the Scotland workshop, Jack Richeson & Co., the workshop sponsor, is furnishing the supplies for participants. So, I know that when I arrive, I’ll have a lovely set of 108 Unison pastels waiting for me. And since I selected the colors myself, I know they’ll work for that cool light. A good supply of the new Richeson pastel surface will be there as well, which lightens my load for the outbound trip. But I still must take enough supplies for the workshops that follow. This doesn't leave a lot of room for clothing, so my immediate future is sure to include hand-washing clothing in hotels on a daily basis! —Maggie Price
Art Inspiration | Overheard
Monday, August 27, 2007 8:28:07 PM (GMT Daylight Time, UTC+01:00)
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 Friday, August 17, 2007
Unearthing Monet’s Journal
Posted by jessica
 If you find yourself near Massachusetts before Sept. 16, you might want to head to The Sterling and Francine Clark Art Institute to catch The Unknown Monet: Pastels and Drawings exhibition before it closes. Featured are 23 pastels, 36 drawings and four bound sketchbooks (on loan from the Musée Marmottan Monet in Paris) that date back to the 1860s through the 1920s. The intrigue—aside from getting to view the artist’s pastels and sketches in person—is that Monet refuted drawing as part of his process. Here’s a recent review from The New York Times’ Benjamin Genocchio. To find out more about the show, which brings to light insights on the young mind of the Impressionist master, see the Art Matters column in our June 2007 issue. Overheard | Shows and Events
Friday, August 17, 2007 7:00:58 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, August 15, 2007
Gallery Owners Embrace Works on Paper
Posted by Sarah
 I'm so pleased when I happen upon yet another fine gallery that champions works on paper and I'm even more pleased when I find one that makes the promotion of those works its central mission. Proving yet again that we should really get back to Chicago soon (it's only a few hours away from PJ headquarters in Cincinnati), Printworks Gallery, in the River North neighborhood of the windy city, specializes in works on paper and features a large number of established artists, as well as emerging artists. The gallery's catalogue is impressive to say the least (check out the sample works on their website) and I'm also impressed by their Affordable Art initiative, in which they present a collection of works by gallery artists for $300 or under. Hooray for that. The shameless book-lover in me can't resist mentioning too their extensive selection of books, many of them works of art themselves. The above image is from their current exhibition Flights of Fancy, a group show that runs through August 18, 2007. Do me a favor and tell me about your favorite gallery-champions at pjedit@fwpubs.com Overheard | Shows and Events
Wednesday, August 15, 2007 5:42:12 PM (GMT Daylight Time, UTC+01:00)
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 Friday, August 10, 2007
Artist Website of the Week: Robert K. Carsten
Posted by Sarah
This week's website belongs to an artist who will be familiar to PJ readers: Robert K. Carsten. He's a frequent contributor to the magazine (he wrote the feature on Chilean-born artist Claudio Bravo for the June issue, for example) and a popular workshop instructor. His website features a pair of slideshows that makes viewing large images of many of his paintings a quick and easy task for visitors--I love that about it.
On his site, Carsten remarks of his work, "More
and more, it has become the achievement of a painterly luminosity that
is my pursuit. A certain luminescence, that appears to glow from within
as well as from an external light source, as much felt as it is seen,
has become the well-spring of my inspiration."
By the way, the above painting, Renewal (Vernal Equinox), won the “Best in Show” award at the 3rd Annual Northeast National Pastel Exhibition at the Old Forge Arts Center in Old Forge, NY.
Overheard
Friday, August 10, 2007 2:29:41 PM (GMT Daylight Time, UTC+01:00)
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 Tuesday, August 07, 2007
Not Your Typical Monday at the Office
Posted by anne
 It was a happy day when I discovered that pastel artist Maggie Price (left) and her husband, artist Bill Canright, would be driving home to New Mexico from a workshop in State College, Pa., a trip that would take them right through Cincinnati, home to the editorial offices of The Pastel Journal, The Artist's Magazine, Watercolor Magic and North Light Books. I jumped at the opportunity to invite the popular workshop teacher (also our magazine's founder and first editor) to come to the office and share some of her pastel-painting expertise hands-on with a group of enthusiastic fine art editors and art directors. Much to my delight, Maggie was more than happy to add the stop to her itinerary! Assembled for the big event yesterday (August 6) were The Pastel Journal's art and editorial team (that's me, Sarah, Jessica and Cindy) as well as four additional editors and art directors (from North Light Books, North Light Book Club and The Artist's Magazine)—even one of our advertising coordinators joined the group. Maggie began with an exciting demonstration of what she calls a brilliant underpainting technique. In this approach, she underpaints the big shapes of a painting with exaggerated color, then brushes the color with Turpenoid, lets it dry, and then starts working toward more realistic color. It was a perfect  way to break through any timidity in the group, because as Maggie explained in our feature about her in the June issue, "Underpaintings are very freeing. They're loose and expressive. And, because it's just an underpainting, you can try anything and know if it doesn't work, you can fix it in the next stage." The brilliant-color approach worked quite well, I thought, for our art director's painting of Red Rock Canyon (see photo at left).  Maggie also showed us her seemingly magical techniques for painting moving water, still water and clouds. I was pretty happy with the cloud study (above) which I did using Unison and Terry Ludwig pastels on white Kitty Wallis paper. And speaking of materials, the supplies for our workshop were provided thanks to VERY generous donations from Terry Ludwig Pastels and Jack Richeson Co., with additional materials supplied from Pastel Girault and Maggie too. I think I can speak for all nine participants when I say thanks for making this work day one of the most exhilarating and inspiring ever! As North Light's Editorial Director Jamie Markle put it: "This is the best Monday I've had in a long time!" This is the kind of "work" we will all look forward to taking home! Overheard
Tuesday, August 07, 2007 4:19:44 PM (GMT Daylight Time, UTC+01:00)
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 Tuesday, July 31, 2007
The Pastel Hall of Fame
Posted by anne
![Warm Day200706_CC_small[1].jpg](http://pastelblog.artistsnetwork.com/content/binary/Warm%20Day200706_CC_small%5B1%5D.jpg) Congratulations to Sally Strand, the latest recipient of the Hall of Fame award from The Pastel Society of America (PSA). She joins some rather distinguished company in the "hall": Flora Giffuni (1978), Daniel Greene (1983), Albert Handell (1987), Raymond Kinstler
(1990), Burton Silverman (1991), Richard Pionk (1997), Foster Caddell
(1998), Duane Wakeham (2000), Sigmund Abeles (2004), Claudio Bravo
(2005) and Alan Flattmann (2006); just to name a few. The celebrated artist is also a popular workshop instructor renowned for her attention to color and light. In the book Pure Color (F+W Publications 2006), Strand writes: "My interest in capturing the special effects of light causes me to concentrate on the value of a color first. If the color is correct in relation to the total composition, then color choice can be less arbitrary and more free. My earlier works in pastel were purer in color. Over the years, I became interested in the subtleties of color, with value continuing to be the most important thing. I learned to mix the grayed colors on the paper rather than relying on looking at my pastel set to find the exact match." You can find The Pastel Journal's feature about Strand's work in the May/June 2001 issue. Image: Warm Day (pastel) by Sally Strand Overheard
Tuesday, July 31, 2007 7:29:18 PM (GMT Daylight Time, UTC+01:00)
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 Friday, July 27, 2007
From the Press: Nominate Women Artists You Know
Posted by Sarah
 A reminder that if you're a member of the National Women's History Project Network, you're invited to nominate a woman artist as a 2008 Honoree in the organization's celebration of the vision of women artists. The honorees will be selected to represent diverse forms of visual arts including painting, sculpture, weaving,
pottery, embroidery, as well as forms from modern media art. To nominate a woman, write an essay
describing her life and work and how it expresses her vision. Don't forget to include her birth date (and death date, if she's deceased) and your reasons for nominating her. Send your e-mail nominations to ednasmolly@aol.com by August 15, 2007. Test your knowledge of women's history on the National Women's History Project (NWHP) website with their quiz. Here are a few sample questions to whet your appetite: - Who was the first woman to run for President of the United States (1872)?
- Who drove a stagecoach across the roughest part of the West without anyone knowing until she died that she was a woman?
- What woman was invited to teach nuclear physics at Princeton
University, even though no female students were allowed to study there?
For the answers, visit the NWHP.
Or, read the very tiny print at the bottom of this post.
Victoria Woodhull (1838-1927), Sarah Winnemucca (1844-1891), Chien-Shiung Wu (1912-1997) Overheard
Friday, July 27, 2007 3:46:20 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, July 26, 2007
Artist Website of the Week: Mathieu Weemaels
Posted by jessica
 Belgian artist Mathieu Weemaels’ site includes a large gallery of his figures, landscapes, still lifes (pictured: bouchons rouges) and distorted self portraits—as well as fascinating images of his hand-made pastels-in-progress and a look inside his studio. (The site’s in French, but easy to navigate.) Margot Schulzke had an interesting conversation with Weemaels in our February 2007 issue, in which they discussed the terms "soft pastel," which is commonly used in the United States, vs. the Belgian usage, "dry pastel." "I don't like this 'soft' terminology that seems to mean something very sweet, too sweet," he said. "That's what is usually associated with pastels: insipidness. That's an image we shouldn't encourage." Art Inspiration | Overheard
Thursday, July 26, 2007 6:45:40 PM (GMT Daylight Time, UTC+01:00)
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 Monday, July 23, 2007
Preach it, Gioia!
Posted by anne
The commencement address that Dana Gioia, poet and chairman of the National Endowment for the Arts, delivered to Stanford University graduates on June 17 is a lament on the position of the arts in today's culture. Fortunately, it is also a persuasive and passionate argument for why the arts are important and why his audience of new graduates should make a conscious decision to live lives that are arts-engaged. Gioia's main point is that we live in a culture that barely acknowledges and rarely celebrates the arts or artists. "There is an experiment I'd love to conduct," he says. "I'd like to survey a cross-section of Americans and ask them how many active NBA players, Major League Baseball players, and American Idol finalists they can name. Then I'd ask them how many living American poets, playwrights, painters, sculptors, architects, classical musicians, conductors, and composers they can name. I'd even like to ask how many living American scientists or social thinkers they can name." Gioia asserts that today's culture is all about entertainment, the purpose of which is to market things to buy. "American culture," he says, "has mostly become one vast infomercial." While he admits to enjoying film and his big-screen TV, Gioia cautions that there is a price. "The role of culture must go beyond economics," he says. "It is not focused on the price of things, but on their value. And, above all, culture should tell us what is beyond price, including what does not belong in the marketplace. A culture should also provide some cogent view of the good life beyond mass accumulation. In this respect, our culture is failing us." I felt eager to share his message, because there may be a time when you must make the argument to a friend or to a son or daughter about why art is important, or to a school board about why a curriculum rich in arts is essential, or to your local newspaper about why coverage of the arts is vital, and Gioia's parting words may be of some service (you can see the entire transcript here): "Art is an irreplaceable way of understanding and expressing the world--equal to but distinct from scientific and conceptual methods. Art addresses us in the fullness of our being--simultaneously speaking to our intellect, emotions, intuition, imagination, memory, and physical senses. There are some truths about life that can be expressed only as stories, or songs, or images. "Art delights, instructs, consoles. It educates our emotions. And it remembers. As Robert Frost once said about poetry, 'It is a way of remembering that which it would impoverish us to forget.' Art awakens, enlarges, refines, and restores our humanity." Well put. Art Inspiration | Overheard
Monday, July 23, 2007 10:39:27 PM (GMT Daylight Time, UTC+01:00)
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 Friday, July 20, 2007
For Those Nosy Parker Pastelists Among Us
Posted by Sarah
Perhaps its silly (or downright blasphemous!) of me to suggest a memoir for the beach, when the Harry Potter and the Deathly Hollows excitement looms so near on the horizon, but if you decide to forgo the Potter parties and you're looking for a real page turner, think about picking up Meryle Secrest's Shoot the Widow: Adventures of a Biographer in Search of her Subject, just out from Knopf. The title of the book comes from the so-called "first rule of biography," and points to Secrest's most challenging obstacle as a biographer: the families of her very famous and famously reclusive subjects. As artists, you may be interested to know, for example, the vivid stories behind her Salvador Dalí and Romaine Brooks interviews.
From the press:
Among the other
biographical (mis)adventures, Secrest reveals: how she tracked Salvador
Dalí to a hospital room, found him recovering from serious burns
sustained in a mysterious fire, and learned that he was knee-deep in a
scandal involving fake drawings and prints and surrounded by dangerous
characters out of Murder, Inc. . . . and how she went in search of a
subject’s grave (Frank Lloyd Wright’s) only to find that his body had
been dug up to satisfy the whim of his last wife.
She writes about her
first book, a life of Romaine Brooks, and how she was led to Nice and
given invaluable letters by her subject’s heir that were slid across
the table, one at a time; how she was led to the villa of Brooks’
lover, Gabriele d’Annunzio (poet, playwright, and aviator), a fantastic
mausoleum left untouched since the moment of his death seventy years
before; to a small English village, where she uncovered a lost Romaine
Brooks painting; and finally, to 20, rue Jacob, Paris, where Romaine’s
lover, Natalie Barney, had fifty years before enterta ined Cocteau,
Gide, Proust, Colette, and others.
I can't resist recommending too Susan's Griffin's wonderful The Book of the Courtesan's: A Catalogue of Their Virtues, in which she delves into the lives of the courtesans whose faces were immortalized in by the Renaissance masters,
by Degas, Renoir, and Toulouse-Lautrec. Broadway released the book in 2001 and I've read it almost ever summer since.
Overheard
Friday, July 20, 2007 2:29:17 PM (GMT Daylight Time, UTC+01:00)
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 Monday, July 09, 2007
Harry Potter and the Link to Pastel
Posted by anne
 With the latest Harry Potter movie opening on Wednesday and the much-anticipated final book due for release on the 21st, you have no doubt been hearing and reading a lot lately about Harry hysteria. The Pastel Journal blog and magazine may have been one place where you didn't expect to see coverage on the topic. Well, you won't find me adding anything to the heated debate over whether or not Harry dies in the finale, but--in the middle of all the excitement--I couldn't keep from revealing that we're working right now on a feature about Mary Grandpre, the illustrator of the Harry Potter series, for our December issue. In addition to her work for Scholastic and many corporate clients, Grandpre has also illustrated a number of other children's books, including Chin Yu Min and the Ginger Cat, The Thread of Life: Twelve Old Italian Tales, Plum, Pockets and The Sea Chest. The artist told The Pastel Journal contributing-writer Deborah Secor that pastels have been her medium of choice from the start. “I actually started with big, soft sticks of charcoal," she says, "but I’ve done pastels since I was five years old and was given some as a gift. Even as a kid I liked the immediate contact I had, getting involved physically with the pastel. It’s an extension of my hand." The December issue ships to subscribers in early October and hits newsstands October 30. Art Inspiration | Overheard
Monday, July 09, 2007 6:30:30 PM (GMT Daylight Time, UTC+01:00) | |